A woman awakes to find that she has lost her memory and that she is surrounded by a ring of dead people wearing rubber gloves. She finds a note in her jacket pocket informing her that her name is Myfanwy Thomas (pronounced like Tiffany with an `M'). The note is signed Myfanwy Thomas.
You might think the story that follows this decidedly effective opening would be something akin to Bourn meets La Femme Nikita, while, in fact, The Rook is a tad more complicated--think the British version of the Men in Black or Hellboy's BRPD meets Harry Potter, with a dash of The X-Men thrown in.
This world Daniel O'Malley has created, a world hidden just beyond our own, includes a giant flesh-cube, a dragon, a cult of Mengelian-cum-Frankensteinian bio-engineers, and other examples of O'Malley's imagination best discovered on your own.
The tone is light, and features humour reminiscent of Jasper Fforde and Terry Pratchett, and there's plenty of action, but the pace is uneven. At times, the letters Myfanwy receives from herself wander into the realm of info-dump, teaching Myfanwy and the reader about Myfanwy's new job--and admittedly fascinating job--but at the expense of steady plot development.
Myfanwy is a funny, complex character. She will remind some of Fforde's Thursday Next, but O'Malley manages to make Myfanwy unique by highlighting the contrast between her current self and the woman she'd been before the amnesia essentially erased her from existence.
Myfanwy is the novel's greatest strength and, given that the setting, characters, and events introduced in The Rook could easily be developed into a continuing series, I hope to see more of our heroine and her creator.
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The Rook: A Novel (The Rook Files Book 1) Kindle Edition
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Myfanwy Thomas awakens in a London park surrounded by dead bodies. With her memory gone, she must trust the instructions left by her former in order to survive. She quickly learns that she is a Rook, a high-level operative in a secret agency that protects the world from supernatural threats. But there is a mole inside the organization, and this person wants her dead.
Battling to save herself, Myfanwy will encounter a person with four bodies, a woman who can enter her dreams, children transformed into deadly fighters, and terrifyingly vast conspiracy.
Suspenseful and hilarious, The Rook is an outrageously imaginative thriller for readers who like their espionage with a dollop of purple slime.
"Utterly convincing and engrossing -- -totally thought-through and frequently hilarious....Even this aging, jaded, attention-deficit-disordered critic was blown away."-Lev Grossman, Time
Battling to save herself, Myfanwy will encounter a person with four bodies, a woman who can enter her dreams, children transformed into deadly fighters, and terrifyingly vast conspiracy.
Suspenseful and hilarious, The Rook is an outrageously imaginative thriller for readers who like their espionage with a dollop of purple slime.
"Utterly convincing and engrossing -- -totally thought-through and frequently hilarious....Even this aging, jaded, attention-deficit-disordered critic was blown away."-Lev Grossman, Time
- LanguageEnglish
- PublisherLittle, Brown and Company
- Publication dateJan. 11 2012
- File size1049 KB
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Product description
Review
"A near-perfect supernatural thriller...Don't start this book unless you've got lots of time, because you won't want to put it down. It's that good."
―David Keymer, Library Journal
"The Rook is going to kick off my Best Books of the Year list. The opening page alone is a gem, and the narrative just keeps getting better...This is wonderful entertainment."
―Charlaine Harris, on her blog
"The Rook has got it all: secret powers, mysterious organizations, dark corners...twisted scientists, and a duck that can see the future...Hands down I have not enjoyed a good supernatural novel this much for quite some time...It's just that good."
―James Floyd Kelly, Wired.com
"A beguiling and inventive first novel...The Rook is expertly written...full of narrative energy."
―David Walton, Cleveland Plain Dealer
"A creative mix of suspense, the supernatural, and espionage thrills. It's loaded with dry wit and doesn't take itself too seriously...Certainly one of the most unusual stories you will read this year."
―Christian DuChateau, CNN.com
"Great, rattling fun, as if Neil Gaiman took Buffy the Vampire Slayer and crossed it with Torchwood... Throughout a rip-roaring narrative, O'Malley off-handedly weaves deadpan humor."
―Joyce Saenz Harris, Dallas Morning News
"Adroitly straddles the thin line between fantasy, thriller, and spoof....O'Malley is a nimble writer, effortlessly leaping back and forth between comedy and action."―David Pitt, Booklist
"Peppered with sly humor, referential social commentary, and the ironic, double-layered self-awareness that will have genre fans believing Buffy the Vampire Slayer has joined Ghostbusters."―Kirkus
"Wholly refreshing...If you like Harry Potter, Buffy, X-Men, or any assorted series that mixes humor and the supernatural, you'll probably love The Rook."
―Alex Zalben, MTV Geek
"Impressive....Dry wit, surprising reversals of fortune, and a clever if offbeat plot make this a winner."―Publishers Weekly --This text refers to the paperback edition.
―David Keymer, Library Journal
"The Rook is going to kick off my Best Books of the Year list. The opening page alone is a gem, and the narrative just keeps getting better...This is wonderful entertainment."
―Charlaine Harris, on her blog
"The Rook has got it all: secret powers, mysterious organizations, dark corners...twisted scientists, and a duck that can see the future...Hands down I have not enjoyed a good supernatural novel this much for quite some time...It's just that good."
―James Floyd Kelly, Wired.com
"A beguiling and inventive first novel...The Rook is expertly written...full of narrative energy."
―David Walton, Cleveland Plain Dealer
"A creative mix of suspense, the supernatural, and espionage thrills. It's loaded with dry wit and doesn't take itself too seriously...Certainly one of the most unusual stories you will read this year."
―Christian DuChateau, CNN.com
"Great, rattling fun, as if Neil Gaiman took Buffy the Vampire Slayer and crossed it with Torchwood... Throughout a rip-roaring narrative, O'Malley off-handedly weaves deadpan humor."
―Joyce Saenz Harris, Dallas Morning News
"Adroitly straddles the thin line between fantasy, thriller, and spoof....O'Malley is a nimble writer, effortlessly leaping back and forth between comedy and action."―David Pitt, Booklist
"Peppered with sly humor, referential social commentary, and the ironic, double-layered self-awareness that will have genre fans believing Buffy the Vampire Slayer has joined Ghostbusters."―Kirkus
"Wholly refreshing...If you like Harry Potter, Buffy, X-Men, or any assorted series that mixes humor and the supernatural, you'll probably love The Rook."
―Alex Zalben, MTV Geek
"Impressive....Dry wit, surprising reversals of fortune, and a clever if offbeat plot make this a winner."―Publishers Weekly --This text refers to the paperback edition.
About the Author
Daniel O'Malley graduated from Michigan State University and earned a Master's Degree in medieval history from Ohio State University. He then returned to his childhood home, Australia, where he works for the Transport Safety Bureau, writing press releases for government investigations of plane crashes and runaway boats. --This text refers to the paperback edition.
Product details
- ASIN : B004QX07EG
- Publisher : Little, Brown and Company; 1st edition (Jan. 11 2012)
- Language : English
- File size : 1049 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 504 pages
- Best Sellers Rank: #122,152 in Kindle Store (See Top 100 in Kindle Store)
- #1,032 in Sea Adventures
- #1,070 in Spy Stories & Tales of Intrigue
- #1,929 in Science Fiction Adventure
- Customer Reviews:
About the author
Follow authors to get new release updates, plus improved recommendations.

Daniel O'Malley is an Australian science fiction writer.
A graduate of Michigan State University with a master's degree in medieval history from Ohio State University. He works for the Australian Transport Safety Bureau. His first novel, The Rook (novel), was released in 2012 and was a winner of the 2012 Aurealis Award for Best Science Fiction Novel.
Bio from Wikipedia, the free encyclopedia.
Customer reviews
4.4 out of 5 stars
4.4 out of 5
6,019 global ratings
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Reviewed in Canada on April 17, 2012
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4 people found this helpful
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Reviewed in Canada on August 14, 2018
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I started reading this book expecting to abandon it part way through, turns out it's amazing and I had trouble putting it down. I was originally put off by our protagonists self criticizing attitude, and her obsession with her looks in the first couple chapters (that still pops up every now and then, i just roĺl my eyes now) but ignoring them had me loving her refreshing almost masculine personality. From meek and shy to aggressive and dominate our protagonist takes a 360 hit to her personality after loosing her memory in a mysterious attack and had to pretend (badly) to be someone she doesn't remember being. Very good read, will be reading the next in the series.
Reviewed in Canada on October 20, 2020
Verified Purchase
Saw the TV series based on this book during a plane trip and thought I would give it a try. I found it a little basic - but it was a good fluff read.
Reviewed in Canada on September 30, 2019
Verified Purchase
Really enjoyed this book. Funny, witty and couldn't put it down. Wish the author had more to buy. I've ready for the sequel.
Reviewed in Canada on July 24, 2019
Verified Purchase
I enjoyed this book a lot, with a nice premise, great humour, creative monsters with lots of slime and tentacles and a feel good finish.
Reviewed in Canada on June 11, 2019
Verified Purchase
Fantastic book.
Great humor and a good storyline.
Hope the tv series turns out well, but after GoT8 I'm not hopeful
Great humor and a good storyline.
Hope the tv series turns out well, but after GoT8 I'm not hopeful
Reviewed in Canada on February 3, 2014
Verified Purchase
In writing this I notice that the author is male. With a few exceptions, he did a good job viewing the world through a woman's eyes, strange as she may be.
Reviewed in Canada on May 15, 2016
Verified Purchase
I read this for a course I was taking and it was a pleasant surprise. The world created by the author sucks you in and I can't wait for the next book to come out.
Top reviews from other countries
Josh Mauthe
5.0 out of 5 stars
A great hook, definitely, but a funny, exciting, and wonderfully weird story to come after that
Reviewed in the United States on October 9, 2018Verified Purchase
Daniel O'Malley's The Rook gives you one heck of a hook, there's no denying that. When your book's opening line is "The body you are wearing used to be mine," well, that's a great way to draw in your reader. And as we meet the woman living in the body of one Myfanwy (rhymes with "Tiffany," she explains) Thomas - and realize that she's awakened in this body while surrounded by a surprisingly large number of unconscious bodies - we realize that there's a whole lot going on here. Mind you, Myfanwy seemed to know that her mind was going, and has left a lot of letters behind to guide her body's new tenant. That's a fantastic setup for a book, but it only gets you so far - does The Rook have enough to hold up after that intro?
Well, it depends. How do you feel about a secret government organization that dabbles in supernatural affairs, fights a group of genetically engineered Belgians, looks for oracular ducks, has members with hive minds, and so much more? Because - and this is just speaking for myself - I had a blast with it.
The Rook is absolutely bonkers at times, and I mean that in the best possible way. There's a tendency with first novels to be a bit overstuffed with ideas, as though the author is worried that this is their one chance at it all, and they've got to put everything in just in case they don't get another shot. And that definitely can be the case with The Rook, which is filled with digressions, odd tangents, bizarre side characters, and sometimes can feel meandering. But when all of those ingredients are so enjoyable and fun, who really cares? O'Malley has put together a wonderful secret world just below the surface of our own, and has packed it with oddities, nightmares, and the inexplicable - and also, views it all with a sense of humor and a realization that even with supernatural powers, people can still be clueless idiots.
What that all adds up to is a book that defies easy categorization - it's got elements of science fiction, espionage, British comedy, action, horror, government thrillers, and so many other things, and yet in the end, it feels like nothing so much as it feels like itself. And that's something we don't get all that often. The overarching plot of the book is great - as the new Myfanwy tries to figure out who has betrayed her, and what it has to do with an invasion of nightmarish Belgian creations - but The Rook works because of how much O'Malley has invested in this world and the characters that populate. From the bizarre Gestalt (who has four bodies, but only one mind) to the dreamwalking Lady Farrier - and those are the most normal ones - O'Malley gives every single character proper time and depth, bringing them all to life in a variety of ways, and letting them be far more than just a unique power; instead, they're all figures of menace, wonder, and, yes, strangeness.
The Rook has a strange structure for a novel, alternating chapters in which we follow the new Myfanwy as she navigates her new life and tries to figure out the threats around her with long letters from the original Myfanwy - letters that she's left for her successor (how she knew that she was going to lose her memory is part of the book's story). That can lead to the sense that O'Malley is tossing in massive exposition dumps frequently, or stopping the narrative flow that he's got going for these long tangents that don't quite go anywhere. That's not an unfair complaint to have, and there are times where The Rook can feel too loose. But every story builds out this world in such interesting ways, and more than that, there's the way that O'Malley is making the absent Myfanwy as much a character in the book as the new one - and contrasting the two so sharply - that I'm willing to forgive it. (Also, one of those letters gives the story about the oracular duck, which is so good that it could be a short story in of itself, and leave me deeply satisfied.)
The Rook isn't flawless; even apart from that loose structure, O'Malley definitely falls into that trap of having his female characters spend too much time thinking about their own attractiveness and that of their friends. (It's not constant, at least; more than that, He does, thankfully, nicely avoid the trap of turning them into being defined by their desire for men. Indeed, there's almost no relationship drama at all in The Rook, which is nice.) But on the whole, The Rook, giving you more plot than your average novel - a conspiracy, a betrayal, a secret organization, supernatural powers, infiltration missions, and more - all while playing around in a world that's full of weirdness, wonder, and a surprising amount of idiocy. It's done with humor and a light touch, turning what could have been a grim story into something really fun and engaging. I had an absolute blast reading it - every digression, every tangent - and I'm glad there's more books to come, so I can come back to this wonderfully weird world.
Well, it depends. How do you feel about a secret government organization that dabbles in supernatural affairs, fights a group of genetically engineered Belgians, looks for oracular ducks, has members with hive minds, and so much more? Because - and this is just speaking for myself - I had a blast with it.
The Rook is absolutely bonkers at times, and I mean that in the best possible way. There's a tendency with first novels to be a bit overstuffed with ideas, as though the author is worried that this is their one chance at it all, and they've got to put everything in just in case they don't get another shot. And that definitely can be the case with The Rook, which is filled with digressions, odd tangents, bizarre side characters, and sometimes can feel meandering. But when all of those ingredients are so enjoyable and fun, who really cares? O'Malley has put together a wonderful secret world just below the surface of our own, and has packed it with oddities, nightmares, and the inexplicable - and also, views it all with a sense of humor and a realization that even with supernatural powers, people can still be clueless idiots.
What that all adds up to is a book that defies easy categorization - it's got elements of science fiction, espionage, British comedy, action, horror, government thrillers, and so many other things, and yet in the end, it feels like nothing so much as it feels like itself. And that's something we don't get all that often. The overarching plot of the book is great - as the new Myfanwy tries to figure out who has betrayed her, and what it has to do with an invasion of nightmarish Belgian creations - but The Rook works because of how much O'Malley has invested in this world and the characters that populate. From the bizarre Gestalt (who has four bodies, but only one mind) to the dreamwalking Lady Farrier - and those are the most normal ones - O'Malley gives every single character proper time and depth, bringing them all to life in a variety of ways, and letting them be far more than just a unique power; instead, they're all figures of menace, wonder, and, yes, strangeness.
The Rook has a strange structure for a novel, alternating chapters in which we follow the new Myfanwy as she navigates her new life and tries to figure out the threats around her with long letters from the original Myfanwy - letters that she's left for her successor (how she knew that she was going to lose her memory is part of the book's story). That can lead to the sense that O'Malley is tossing in massive exposition dumps frequently, or stopping the narrative flow that he's got going for these long tangents that don't quite go anywhere. That's not an unfair complaint to have, and there are times where The Rook can feel too loose. But every story builds out this world in such interesting ways, and more than that, there's the way that O'Malley is making the absent Myfanwy as much a character in the book as the new one - and contrasting the two so sharply - that I'm willing to forgive it. (Also, one of those letters gives the story about the oracular duck, which is so good that it could be a short story in of itself, and leave me deeply satisfied.)
The Rook isn't flawless; even apart from that loose structure, O'Malley definitely falls into that trap of having his female characters spend too much time thinking about their own attractiveness and that of their friends. (It's not constant, at least; more than that, He does, thankfully, nicely avoid the trap of turning them into being defined by their desire for men. Indeed, there's almost no relationship drama at all in The Rook, which is nice.) But on the whole, The Rook, giving you more plot than your average novel - a conspiracy, a betrayal, a secret organization, supernatural powers, infiltration missions, and more - all while playing around in a world that's full of weirdness, wonder, and a surprising amount of idiocy. It's done with humor and a light touch, turning what could have been a grim story into something really fun and engaging. I had an absolute blast reading it - every digression, every tangent - and I'm glad there's more books to come, so I can come back to this wonderfully weird world.
42 people found this helpful
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Imogen C Cassidy
5.0 out of 5 stars
Just as fun the second time
Reviewed in Australia on October 28, 2023Verified Purchase
On a re-reading binge and this series has been on my list to read again for a while. O’Malley’s world is witty, funny and engaging and Rook Thomas is a fascinating protagonist. Great stuff.
Casey Carlisle
4.0 out of 5 stars
A long read but well worth the pay-off
Reviewed in the United States on January 6, 2020Verified Purchase
Actual rating 3.75 stars.
This story had everything that I loved. The paranormal, a mystery, a strong female lead, a dry comic wit, interesting characters, a supernatural secret service, and plenty of weirdness. The biggest draw-back was its propensity to excessive info-dumping. In the form of diary entries, letters, re-tellings... and they went on for pages. You would get some sort of background information, flashback, or journal entry every 5 pages or so. It really bogged down the pacing of ‘The Rook,’ and frankly, had me losing interest many, many times. The subject matter was interesting and slightly relevant to the plot, but altogether longwinded and far too common in the narrative. I feel like this novel could have been 150pages shorter and been one heck of a read.
Consequently I had started this novel twice and abandoning it before getting 50 pages in because it was, well ... scattered. At my third attempt, I pushed through as many pages as I could before I was again bombarded with all-too-many info-dumps. It wasn’t until I got just passed the halfway point (pg 260 or thereabouts) that I felt like the plot had a direction and a driving force for protagonist Myfanwy and pulled the story into focus.
I have a bit of a thing with amnesia as a storytelling device. It’s an overused trope and can either be executed poorly, or brilliantly. Thankfully ‘The Rook’ falls into the latter category. This wasn’t a ‘I bumped my head and my memories are slowly coming back’ type plot, but a part of a paranormal mystery.
Daniel O’Malley has a quaint writing style with a dry sense of humour. He has a gorgeous way of painting a picture for character descriptions, and I thoroughly enjoyed – and got lost – in the narrative. Again, my only grip is – edit! Edit lots! I’m uncertain if all the information we get in ‘The Rook’ was relevant to the storyline. Is all that superfluous information going to be resolved in the sequel ‘Stilletto,’ or was it just that Daniel was so immersed in the world of ‘The Rook’ that all the details felt like they were important?
The paranormal powers were so imaginative, scary and hilarious. So many obtuse and unique abilities to rival the X-Men.
There are a lot of characters in ‘The Rook’ too. Even with all the copious explanations and backstories, I didn’t start to identify all the cast separately until after the halfway point.
The main plot of the story is that Myfanwy is basically an impostor, impersonating her pre-amnesia self as the timid paranormal agent (or rook) and discover the identity of which of her workmates was responsible for the attack. An attack which was a failed murder attempt. It is all about deduction, investigation, and following instinct; not to mention dealing with all the strangeness of the paranormal around her. Working out who to trust. ‘The Rook’ is definitely up there as one of my favourite reads.
The characters are all colourful and fully realised – how can they not be with all the narrative O’Malley dedicates to each. The storyline is intriguing and was the driving force in me picking up this title. At 482 pages long – and the formatting is at a maximum to fit a lot of words on each page without it looking crowded means this is a long book. Which brings me back to the pacing… ‘The Rook’ felt waaaay too long.
But when all is said and done, O’Malley has written a marvellous novel and I will definitely be continuing on with the series, I’ve since seen the television show adaptation (airing on Hulu or Starz depending on your location.)
I’d love to recommend this novel to all, but knowing the issues I had with the pacing, I don’t think everyone will have the patience to see it through to the end. But if you can handle a slower paced story and love paranormal detective stories, then ‘The Rook’ has a lot to offer.
This story had everything that I loved. The paranormal, a mystery, a strong female lead, a dry comic wit, interesting characters, a supernatural secret service, and plenty of weirdness. The biggest draw-back was its propensity to excessive info-dumping. In the form of diary entries, letters, re-tellings... and they went on for pages. You would get some sort of background information, flashback, or journal entry every 5 pages or so. It really bogged down the pacing of ‘The Rook,’ and frankly, had me losing interest many, many times. The subject matter was interesting and slightly relevant to the plot, but altogether longwinded and far too common in the narrative. I feel like this novel could have been 150pages shorter and been one heck of a read.
Consequently I had started this novel twice and abandoning it before getting 50 pages in because it was, well ... scattered. At my third attempt, I pushed through as many pages as I could before I was again bombarded with all-too-many info-dumps. It wasn’t until I got just passed the halfway point (pg 260 or thereabouts) that I felt like the plot had a direction and a driving force for protagonist Myfanwy and pulled the story into focus.
I have a bit of a thing with amnesia as a storytelling device. It’s an overused trope and can either be executed poorly, or brilliantly. Thankfully ‘The Rook’ falls into the latter category. This wasn’t a ‘I bumped my head and my memories are slowly coming back’ type plot, but a part of a paranormal mystery.
Daniel O’Malley has a quaint writing style with a dry sense of humour. He has a gorgeous way of painting a picture for character descriptions, and I thoroughly enjoyed – and got lost – in the narrative. Again, my only grip is – edit! Edit lots! I’m uncertain if all the information we get in ‘The Rook’ was relevant to the storyline. Is all that superfluous information going to be resolved in the sequel ‘Stilletto,’ or was it just that Daniel was so immersed in the world of ‘The Rook’ that all the details felt like they were important?
The paranormal powers were so imaginative, scary and hilarious. So many obtuse and unique abilities to rival the X-Men.
There are a lot of characters in ‘The Rook’ too. Even with all the copious explanations and backstories, I didn’t start to identify all the cast separately until after the halfway point.
The main plot of the story is that Myfanwy is basically an impostor, impersonating her pre-amnesia self as the timid paranormal agent (or rook) and discover the identity of which of her workmates was responsible for the attack. An attack which was a failed murder attempt. It is all about deduction, investigation, and following instinct; not to mention dealing with all the strangeness of the paranormal around her. Working out who to trust. ‘The Rook’ is definitely up there as one of my favourite reads.
The characters are all colourful and fully realised – how can they not be with all the narrative O’Malley dedicates to each. The storyline is intriguing and was the driving force in me picking up this title. At 482 pages long – and the formatting is at a maximum to fit a lot of words on each page without it looking crowded means this is a long book. Which brings me back to the pacing… ‘The Rook’ felt waaaay too long.
But when all is said and done, O’Malley has written a marvellous novel and I will definitely be continuing on with the series, I’ve since seen the television show adaptation (airing on Hulu or Starz depending on your location.)
I’d love to recommend this novel to all, but knowing the issues I had with the pacing, I don’t think everyone will have the patience to see it through to the end. But if you can handle a slower paced story and love paranormal detective stories, then ‘The Rook’ has a lot to offer.
Casey Carlisle
Reviewed in the United States on January 6, 2020
This story had everything that I loved. The paranormal, a mystery, a strong female lead, a dry comic wit, interesting characters, a supernatural secret service, and plenty of weirdness. The biggest draw-back was its propensity to excessive info-dumping. In the form of diary entries, letters, re-tellings... and they went on for pages. You would get some sort of background information, flashback, or journal entry every 5 pages or so. It really bogged down the pacing of ‘The Rook,’ and frankly, had me losing interest many, many times. The subject matter was interesting and slightly relevant to the plot, but altogether longwinded and far too common in the narrative. I feel like this novel could have been 150pages shorter and been one heck of a read.
Consequently I had started this novel twice and abandoning it before getting 50 pages in because it was, well ... scattered. At my third attempt, I pushed through as many pages as I could before I was again bombarded with all-too-many info-dumps. It wasn’t until I got just passed the halfway point (pg 260 or thereabouts) that I felt like the plot had a direction and a driving force for protagonist Myfanwy and pulled the story into focus.
I have a bit of a thing with amnesia as a storytelling device. It’s an overused trope and can either be executed poorly, or brilliantly. Thankfully ‘The Rook’ falls into the latter category. This wasn’t a ‘I bumped my head and my memories are slowly coming back’ type plot, but a part of a paranormal mystery.
Daniel O’Malley has a quaint writing style with a dry sense of humour. He has a gorgeous way of painting a picture for character descriptions, and I thoroughly enjoyed – and got lost – in the narrative. Again, my only grip is – edit! Edit lots! I’m uncertain if all the information we get in ‘The Rook’ was relevant to the storyline. Is all that superfluous information going to be resolved in the sequel ‘Stilletto,’ or was it just that Daniel was so immersed in the world of ‘The Rook’ that all the details felt like they were important?
The paranormal powers were so imaginative, scary and hilarious. So many obtuse and unique abilities to rival the X-Men.
There are a lot of characters in ‘The Rook’ too. Even with all the copious explanations and backstories, I didn’t start to identify all the cast separately until after the halfway point.
The main plot of the story is that Myfanwy is basically an impostor, impersonating her pre-amnesia self as the timid paranormal agent (or rook) and discover the identity of which of her workmates was responsible for the attack. An attack which was a failed murder attempt. It is all about deduction, investigation, and following instinct; not to mention dealing with all the strangeness of the paranormal around her. Working out who to trust. ‘The Rook’ is definitely up there as one of my favourite reads.
The characters are all colourful and fully realised – how can they not be with all the narrative O’Malley dedicates to each. The storyline is intriguing and was the driving force in me picking up this title. At 482 pages long – and the formatting is at a maximum to fit a lot of words on each page without it looking crowded means this is a long book. Which brings me back to the pacing… ‘The Rook’ felt waaaay too long.
But when all is said and done, O’Malley has written a marvellous novel and I will definitely be continuing on with the series, I’ve since seen the television show adaptation (airing on Hulu or Starz depending on your location.)
I’d love to recommend this novel to all, but knowing the issues I had with the pacing, I don’t think everyone will have the patience to see it through to the end. But if you can handle a slower paced story and love paranormal detective stories, then ‘The Rook’ has a lot to offer.
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4.0 out of 5 stars
Amazing book
Reviewed in the United States on September 26, 2023Verified Purchase
I was loving this book, up until the last few chapters, when it just was so anticlimactic. It was so much fun, just til then. So 4 stars instead of 5. But wow. Highly recommended. On to the sequel!
Sarah
4.0 out of 5 stars
4 Stars
Reviewed in the United States on May 28, 2017Verified Purchase
I originally gave the book 3 stars, but now I'm giving it 4 stars. The more I look back on it the more fond I am of it. This is probably faulty logic. But if all you can remember was that you really enjoyed it, it probably deserves more than three stars. Critiques made below are still totally valid.
Everything about this book should have been a home run. Myfanwy (Miff-uh-nee) Thomas is pretty awesome in a supernatural Stephanie Plum sort of way. I loved her, and I'm sorely disappointed that she doesn't seem to be the narrator of the sequel. The concept felt fresh, and the powers and the villains and the things that were happening were things that maybe only happen in your wildest dreams and probably not even there. Gestalt's power of one mind occupying four bodies was both awe inspiring and mind boggling. There was enough dry sarcastic humor to go around.
Seriously- there is pretty much nothing about this book I shouldn't have loved. I ripped through it quickly enough and found it hard to put down, yet here I sit, having just finished it, not glowing. Not thinking about how many friends or family members I could convince to read this and share in my joy. Not jumping with excitement to dive into the next book.
So what went wrong? The problem could be precisely that I've read too much Janet Evanovich in my life and though I loved Myfanwy, she didn't quite feel "new" as a character to me. It could be that O'Malley doesn't write action with any sense of excitement (to be fair, he has some stiff competition with the last two books I've read, Maas and Cornwell do action better than most; this could also be due in part to Myfanwy's blasé attitude, which totally fits the tone of the book but didn't exactly make for "oh sh*t oh sh*t oh sh*t" moments).
Mostly I think it is due to the pacing of the book. O'Malley created a false sense of suspense by interrupting bouts of action with an info-dumping letter from pre-amnesia Myfanwy. It does keep you turning the page, but it also interrupts all of the excitement to share with you a sort of bland memory of a random Christmas party right before amnesia hits. Or a random meeting. Or a random magical happening (referred to in the book as "manifestations"). Mind you, all these memories are not pointless, and are tied together nicely in the end, but they were so poorly timed that I read through them quickly going, "yeah yeah, but does she die?!" and inadvertently missed many of the clues leading up to the conclusion that made perfect sense and came out of left field all at once.
That isn't to say I didn't enjoy the letters. Because I did. (The one about the oracular duck was absolute gold.) I just wish they weren't placed smack in the middle of Myfanwy being devoured by a fleshy tentacled cube in a police station in Reading.
In the beginning, Myfanwy is reading through the letters in logical order. The first one is pulled from her pocket. The second one, I think, is also pulled from her pocket and neatly labeled 2. After the third letter, they are just randomly thrown in with no real incentive for Myfanwy to be reading them at exactly that moment. I think my enjoyment of this book would have been increased ten fold if the letters had simply been placed in different chapters of the book. Like, at the end of a long day of fighting glowing purple mold, Myfanwy curls up with the non-oracular rabbit Wolfgang and reads a few letters from her old self. Or on her coffee break at work. Or in the back of the limo. Doing this would have required no extra effort on the part of the author, and it would have made for a much more cohesive story.
I think that O'Malley has an imagination to be admired, and I'm excited to see where he could possibly take the series. I'm guessing since Myfanwy is not the narrator of the next book, it will also not contain regularly scheduled interruptions in the program, so I'll probably give it a go and hope for the best.
Everything about this book should have been a home run. Myfanwy (Miff-uh-nee) Thomas is pretty awesome in a supernatural Stephanie Plum sort of way. I loved her, and I'm sorely disappointed that she doesn't seem to be the narrator of the sequel. The concept felt fresh, and the powers and the villains and the things that were happening were things that maybe only happen in your wildest dreams and probably not even there. Gestalt's power of one mind occupying four bodies was both awe inspiring and mind boggling. There was enough dry sarcastic humor to go around.
Seriously- there is pretty much nothing about this book I shouldn't have loved. I ripped through it quickly enough and found it hard to put down, yet here I sit, having just finished it, not glowing. Not thinking about how many friends or family members I could convince to read this and share in my joy. Not jumping with excitement to dive into the next book.
So what went wrong? The problem could be precisely that I've read too much Janet Evanovich in my life and though I loved Myfanwy, she didn't quite feel "new" as a character to me. It could be that O'Malley doesn't write action with any sense of excitement (to be fair, he has some stiff competition with the last two books I've read, Maas and Cornwell do action better than most; this could also be due in part to Myfanwy's blasé attitude, which totally fits the tone of the book but didn't exactly make for "oh sh*t oh sh*t oh sh*t" moments).
Mostly I think it is due to the pacing of the book. O'Malley created a false sense of suspense by interrupting bouts of action with an info-dumping letter from pre-amnesia Myfanwy. It does keep you turning the page, but it also interrupts all of the excitement to share with you a sort of bland memory of a random Christmas party right before amnesia hits. Or a random meeting. Or a random magical happening (referred to in the book as "manifestations"). Mind you, all these memories are not pointless, and are tied together nicely in the end, but they were so poorly timed that I read through them quickly going, "yeah yeah, but does she die?!" and inadvertently missed many of the clues leading up to the conclusion that made perfect sense and came out of left field all at once.
That isn't to say I didn't enjoy the letters. Because I did. (The one about the oracular duck was absolute gold.) I just wish they weren't placed smack in the middle of Myfanwy being devoured by a fleshy tentacled cube in a police station in Reading.
In the beginning, Myfanwy is reading through the letters in logical order. The first one is pulled from her pocket. The second one, I think, is also pulled from her pocket and neatly labeled 2. After the third letter, they are just randomly thrown in with no real incentive for Myfanwy to be reading them at exactly that moment. I think my enjoyment of this book would have been increased ten fold if the letters had simply been placed in different chapters of the book. Like, at the end of a long day of fighting glowing purple mold, Myfanwy curls up with the non-oracular rabbit Wolfgang and reads a few letters from her old self. Or on her coffee break at work. Or in the back of the limo. Doing this would have required no extra effort on the part of the author, and it would have made for a much more cohesive story.
I think that O'Malley has an imagination to be admired, and I'm excited to see where he could possibly take the series. I'm guessing since Myfanwy is not the narrator of the next book, it will also not contain regularly scheduled interruptions in the program, so I'll probably give it a go and hope for the best.
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