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The News Sorority: Diane Sawyer, Katie Couric, Christiane Amanpour-and the (Ongoing, Imperfect, Complicated) Triumph of Women in TV News Kindle Edition
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“Weller rivetingly recounts these gutsy ladies' time on the front lines... an inspiration for future generations of journalists.” --Vanity Fair
For decades, women battered the walls of the male fortress of television journalism. After fierce struggles, three women—Diane Sawyer, Katie Couric, and Christiane Amanpour—broke into the newsroom’s once impenetrable “boys’ club.” These women were not simply pathbreakers, but wildly gifted journalists whose unique talents enabled them to climb to the top of the corporate ladder and transform the way Americans received their news.
Drawing on exclusive interviews with their colleagues and intimates from childhood on, The News Sorority crafts a lively and exhilarating narrative that reveals the hard struggles and inner strengths that shaped these women and powered their success. Life outside the newsroom—love, loss, child rearing—would mark them all, complicating their lives even as it deepened their convictions and instincts. Life inside the newsroom would include many nervy decisions and back room power plays previously uncaptured in any media account. Taken together, Sawyer’s, Couric’s, and Amanpour’s lives as women are here revealed not as impediments but as keys to their success.
Raised in Louisville, Kentucky, Diane Sawyer was a young woman steering her own unique political course in a time of societal upheaval. Her fierce intellect, almost insuperable work ethic, and sophisticated emotional intelligence would catapult Sawyer from being the first female on-air correspondent for 60 Minutes, to presenting anchoring the network flagship ABC World News. From her first breaks as a reporter all the way through her departure in 2014, Sawyer’s charisma and drive would carry her through countless personal and professional changes.
Katie Couric, always conveniently underestimated because of her “girl-next-door” demeanor, brazened her way through a succession of regional TV news jobs until she finally hit it big. In 1991, Couric became the cohost of Today, where, over the next fifteen years, she transformed the “female” slot from secondary to preeminent while shouldering devastating personal loss. Couric’s greatest triumph—and most bedeviling challenge—was at CBS Evening News, as the first woman to solo-anchor a nighttime network news program. Her contradictions—seriously feminist while proudly sorority-girlish—made her beyond easy typecasting, and as original as she is relatable.
A glamorous, unorthodox cosmopolite—raised in pre-revolution Iran amid royalty and educated in England—Christiane Amanpour would never have been picked out of a lineup as a future war reporter, until her character flourished on catastrophic soil: her family’s exile during the Iranian Revolution. Once she knew her calling, Amanpour shrewdly made a virtue of her outsider status, joining the fledgling CNN on the bottom rung and then becoming its “face,” catalyzing its rise to global prominence. Amanpour’s fearlessness in war zones would make her the world’s witness to some of its most acute crises and television’s chief advocate for international justice.
Revealing the tremendous combination of ambition, empathy, and skill that empowered Sawyer, Couric, and Amanpour to reach stardom, The News Sorority is a detailed story of three very particular lives and a testament to the extraordinary character of women everywhere.
- LanguageEnglish
- PublisherPenguin Books
- Publication dateSept. 30 2014
- File size12789 KB
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Review
New York Daily News :
“This immensely readable book made headlines before publication for its irresistible gossip. It is dishy, but it’s also a close up and very personal examination of three women who broke all the barriers.”
Kera Bolonik, The New York Times Book Review:
“… it’s hard to come away from The News Sorority feeling anything less than admiration, if not reverence, for Couric, Sawyer and Amanpour, and sympathy for all the women… who had to wrangle with ratings, network politics and defiantly sexist executives, while managing the delicate egos of their male counterparts. And that is, in the words of the old CBS slogan, ‘very good news.’”
Los Angeles Times:
“…a well-reported and refreshingly fair-minded biography of these gutsy and influential newswomen. Given the complexity of the subject matter, the remarkable thing is that Weller has produced a book that manages to be both compelling and resolutely evenhanded. Even when the catnip of rivalry raises its hoary head, Weller chooses balance. There are lots of controversies, but they usually come along with opposing opinions from different observers and in a broader context.”
The Washington Post:
“It’s worth reading The News Sorority as both a handbook of cutthroat office politics and a cautionary tale. These women brought ego, ambition and a willingness to play just as rough as the boys to the newsrooms—and made history because of that.”
Chicago Tribune (Liz Smith)
"[D]aring, dashing... Sheila Weller has written "the" book of the year on TV broadcasting, a thing that may be a dying, rapidly changing art form, but it's definitely still going to need voices and faces and intelligence giving out the news no matter how much our socially gadget-manipulated changing world changes. There will always be stars and TV has had them in spades... This is a terrific book. I marked mine so many times, it is virtually unreadable. Believe me, if you like history and gossip and believe, like I do, that gossip IS history -- you will love reading about the big three."
Vanity Fair:
“Weller rivetingly recounts these gutsy ladies' time on the front lines of domestic and international war zones, political battlefields, and live morning television; the prejudices they've faced; the personal sacrifices made and losses suffered, as well as the backlashes that followed their every gain, fueling their ambition and building their resilience. Weller's portrait of how these extraordinary women, in the words of Sawyer, turn "pain into purpose" is an inspiration for future generations of journalists.”
New York Daily News
“This immensely readable book made headlines before publication for its irresistible gossip. It is dishy, but it’s also a close up and very personal examination of three women who broke all the barriers in TV news in terms of what it took, where it got them and the price they paid.”
Houston Chronicle:
"Weller is brave to write biographies with more than one primary person at the center. Professional biographers know that such a decision complicates research and writing exponentially. In a previous book, Weller… tackled three female vocalists. That book… deeply touched the emotions of many readers I know, female and male. I suspect The News Sorority will, too. [It’s] a book that makes age-old gender battles seem fresh.”
NYCityWoman.com
"[T]his book is not just the story of the fight against sexism waged by three plucky but different dames. The News Sorority is also a tale about the bygone heyday of network news… Yet it is filled with important truths—Vanity Fair style—about feminism in the news workplace… Weller is terrific in citing genuine and unique strengths: Amanpour’s relentless reporting on the horrors suffered by civilians during the war in Bosnia and the plight of Darfur; Couric’s campaign against the colon cancer that killed her first husband, complete with her on-air colonoscopy; Sawyer’s instinct for inspirational pieces about people like the Chilean miners and her humane yet probing interview with Whitney Houston."
Bloomberg Businessweek:
“Weller’s book is sure to be catnip to TV obsessives and people in the news business.”
Buffalo News:
“This is an important book.”
Kirkus Reviews:
“As she did in her fluid multitiered biography Girls Like Us: Carole King, Joni Mitchell and Carly Simon—and the Journey of Generation, Weller takes apart feminist icons of her generation—those who came of age in the 1960s and '70s—to see how they work and how they made it to prime time. Inspiring bios of today's professional heroines.”
Booklist:
“Best-selling author Weller draws on interviews with their friends and colleagues to offer portraits of the will and ambition each mustered to achieve iconic status. Weller details the personal tragedies they’ve dealt with… [and] also explores the unique personalities of these women and the set expectations among broadcast executives and viewers that they have had to overcome.”
--This text refers to the paperback edition.About the Author
Excerpt. © Reprinted by permission. All rights reserved.
INTRODUCTION
The News You Give Begins with
the News You’ve Lived
Diane, Christiane, Katie: 1969, 1997, 2000
I. Pushing Past Grief: Diane, 1969
Twenty-three-year-old Diane Sawyer (she used her real first name, Lila, ironically, only in affectionate letters) was working as the first ever full-time female news reporter in her hometown of Louisville, Kentucky— on WLKY, Channel 32—in mid-September 1969. She had been on the job for two years, and she—a Wellesley graduate and former beauty queen— was itching to leave for a bigger opportunity, in the nation’s capital. Still, Diane’s years at WLKY had not been uneventful.
Louisville in the late 1960s had a roiling temper. Some of its residents were hell-bent on overturning the recent federally mandated civil rights advances. When black demonstrators peacefully marched through the streets to protest the stubbornly still segregated neighborhoods, angry whites rushed them, bearing swastikas, hurling bottles. On top of that, the country had just passed through a nightmare of a year, and Diane Sawyer of WLKY had reported on all of it.
Diane and her colleague Bob Winlock—who rejected being “the black reporter” as much as she disliked being “the female reporter”—witnessed painful backlash against advances they had both been a part of. Diane was kept off the riot-scene beat by her gallant bosses—at least one frontline reporter had gotten beaten—but the city’s racial anguish was on clear display everywhere, including during the emotionally fraught press conferences she covered for the station.
Violence became commonplace. Early in her tenure at WLKY, Martin Luther King Jr. had been spat upon by a little white girl who couldn’t have been more than seven. During another visit, the civil rights leader’s skull had barely evaded a rock hurled through his car window (he later held the rock high and pronounced it a “foundation” of his struggle there). Then, of course, came Dr. King’s murder—close by, in Memphis—and that of Bobby Kennedy, in Los Angeles, during that surreally violent patch of spring to summer 1968. “Diane was disconsolate” at both assassinations, the station’s general manager, Ed Shadburne, says. Still, she dutifully went out to get person-on-the-street responses. That was being a reporter: Tuck in the pain and do your job. You were a witness.
But that was the ironic thing. Diane had already been a witness— indeed, a participant—in some amazing ground-level integration gains almost a full decade earlier. Her junior high and high school, Seneca, had integrated startlingly early, in 1957, well before the city’s neighborhoods, restaurants, restrooms, and theaters had stopped barring blacks or roping them off in dingy “Coloreds” quarters. By a fluke of the school’s newness and geography, the 1957–1963 Seneca kids (“a third white, a third Jewish, a third black,” the alums today like to proudly exaggerate) and their teachers were on their own, improvising a racial amity.
In 1958, when Diane was in the eighth grade (four years before James Meredith’s federally assisted singular integration of the University of Mississippi), white boys in ducktails and low-slung jeans had written GO HOME, NIGGER! on the walls when the first black students bravely but nervously entered, and some of the kids were beaten. But by the time her class reached eleventh grade, in 1961, the students were protesting restaurant segregation together. When the boys’ basketball team traveled to racist Kentucky towns for away games, the white players refused to go into the coffee shops that didn’t allow their black teammates; they all ate in their bus. Now, in 1969, the still resonating killings of Martin Luther King and Bobby Kennedy seemed like a Molotov cocktail hurled against those fragile, cherished Seneca High advances.
--This text refers to the paperback edition.Product details
- ASIN : B00INIYFAC
- Publisher : Penguin Books (Sept. 30 2014)
- Language : English
- File size : 12789 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 498 pages
- Best Sellers Rank: #739,982 in Kindle Store (See Top 100 in Kindle Store)
- #325 in Journalism (Kindle Store)
- #445 in Media Studies (Kindle Store)
- #563 in Journalist Biographies (Kindle Store)
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About the author

Sheila Weller is a best-selling author and award-winning magazine journalist specializing in women’s lives, social issues, cultural history, and feminist investigative.
Her latest book, "The News Sorority: Diane Sawyer, Katie Couric, Christiane Amanpour – and the Triumph of Women in TV News," is a lively and detailed story of three very particular lives and a testament to the extraordinary character of women everywhere.
Her sixth book was the critically acclaimed "Girls Like Us: Carole King, Joni Mitchell, Carly Simon -- And The Journey of a Generation." On the New York Times Bestseller list for 8 weeks, it has sold over 170,000 copies, is featured in numerous Women’s Studies programs at major universities, and was chosen as one of the Best Books of 2008 by Library Journal, The Christian Science Monitor, Amazon.com, and Tina Brown’s DailyBeast.
Her previous books, including the New York Times bestseller "Raging Heart," have included well-regarded, news-breaking nonfiction accounts of high profile crimes against women and their social and legal implications.
She is a writer for Vanity Fair, a Senior Contributing Editor for Glamour, a former Contributing Editor for New York, a reviewer for The New York Times, and has written and writes for numerous other magazines.
She has won nine major magazine awards, including six Newswomen’s Club of New York Front Page Awards and two Exceptional Merit in Media Awards from The National Women’s Political Caucus, and she was one of three winners, for her body of work, for Magazine Feature Writing on a Variety of Subjects in the 2005 National Headliners Award.
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All three rose through the media world via combinations of talent, luck, drive, and politicking. Undoubtedly they had to work harder at first than men alongside. But by 2014 all three seemed in eclipse, mostly via self-sabotage as well as audience rejection. Couric, unwelcome back at NBC News, having failed as CBS Evening News anchor and as an ABC daytime talk host, was reduced to conducting online interviews at Yahoo!. Amanpour, who wanted to trade battlefields for cushy anchor stardom, struck out as host of the ABC News Washington-politics program "This Week" - a weird fit for any correspondent, of either gender, who came up via Bosnia and Baghdad. (She crept back to CNN, but only the international channel.) Sawyer, who campaigned ferociously for years to be ABC's "World News Tonight" anchor, finally got the prize in 2009 only to hand it over less than five years later, apparently not entirely voluntarily, to David Muir in 2014.
Amanpour, for all her flaws, emerges as the most serious and admirable journalist: personally brave, largely unconcerned with cosmetic factors, with a passionate value system that goes beyond power and recognition for herself. Next to her, Couric comes off as comparatively ridiculous: a super-rich, insensitive, studio-creature celebrity parading an increasingly hollow and inauthentic girl-next-door persona, resistant to the homework drills that make good reporters. (Her gift lies in personal interview dynamics.) The enigmatic Sawyer is somewhere in the middle, out to live a "life of purpose" like Amanpour, obsessed like Couric with amassing status, known for projecting "creamy insincerity" through a studio camera (in critic Alessandra Stanley's immortal phrase), but arguably a more adept game-player in the power corridors of network TV.
Here's the thing, though. Weller's "sorority" excludes a lot more worthy contenders. Although she praises Amanpour for landing "This Week," there is not one mention of the estimable veteran Candy Crowley, who has hosted the CNN Sunday morning program "State of the Union" since 2010. Weller never mentions Norah O'Donnell, Megyn Kelly, Mika Brzezinski, or Savannah Guthrie; Ann Curry gets exactly one sentence; she gives Amanpour bounteous credit for her war-zone work, and Couric for her "overseas experience" (stuck in a Saudi Arabian press compound during Gulf War I, measured in mere days), but seems never to have heard of great war correspondents Clarissa Ward, Elizabeth Palmer, Kimberley Dozier, etc., etc. Lara Logan's name appears only in connection with the brutal mob assault on her in Cairo in 2011. Most odd, Barbara Walters is sketched only as Sawyer's vicious in-house competitor at ABC; her trailblazing career is ignored although she had a much tougher go than these three.
In short, whole platoons of incredible woman correspondents doing important, influential work are blackballed from Weller's "sorority" because of her own brutal star system.
"The News Sorority" is in the end simply a dishy, gossipy survey of three blessed-and-flawed-in-equal-measure celebrities who briefly dominated television news by skillfully manipulating a now-increasingly-obsolete (as TV succumbs to the Internet) star system. As such it has a lot more to say about celebrity than journalism, sometimes unintentionally. Weller's marketing decision to focus on these three waning personalities, and ignore dozens of other worthy, ascendant pros, results in an account that is often superficial and People magazine-ish. And the author appears all too willing to let many who feel wronged by this troika exact payback in her pages. Her subjects can hardly be surprised, however, especially Couric and Sawyer, given the routes they took to the top. One of the uglier sides of any sorority is the vicious backstabbing drama behind all those smiling proclamations of sisterhood. Getting the dirt here is a guilty pleasure but not a wholly edifying one.
We've all spent time with these women, Sawyer, Couric, Amanpour, they've been in our living rooms for years. We know their voices, their inflections, their candor and their charms; we have come to trust their honesty and authenticity. They've delivered fact, explained away fiction, and informed us of the events which enveloped the world each day.
We've read the headlines, too. Somehow, it seemed enough that Diane Sawyer had worked closely for Nixon, that Christiane Amanpour always sounded fiercely well informed, that Katie Couric had lost her husband early on and had the tenacity to overcome her pain, but Sheila Weller has reminded us that that is simply not enough, and it isn't. These are the women who kicked down the door and nearly blew the house down; these are the femme fatales of broadcast news, of an impacted visage of male domination, misogyny and arrogance; these are the gorgeous monsters who lurked outside the men's rooms waiting to mop the floor, and through grit and determination, brilliance and perseverance, through their combined efforts and dogmatic drive, prevailed, and in doing so, redefined and recreated an industry.
There is something I love about an underdog, and call me sexist, but when women like these three can move the phallic mountain, there's an American celebration to be had.
The magnificent Sheila Weller sees and hears what the rest of us do, but knows there's a story to tell, a deeper, often darker undercurrent to expose, and expose it, she does.
This is no breezy read, nothing to pick up on a Friday night and finish by lights out Sunday. Nothing this important and revealing can be written in a day and consumed in hours. This is an exploration into three thunderous lives. Grab your reading glasses, get cozy and climb right in, The News Sorority is one hell of a journey.
Another problem which I encountered was the author's sincere and deserved interest in the need for women to be treated equally with men in the news industry. I agree with her 100%; however, she reiterated it over and over and over. Not just with each of the women, but several times with each. In this age when this is an issue that we deal with every day, the repetitive use of it distracted the reader. Certainly, this was a major point of the work, but making it over and over was just too much.
She elected to not mention some of her anonymous sources, which I understand, but this became annoying at times when she was trying to prove a point, particularly a negative one. My feeling was that quoting sources only for positive things was disconcerting.
All in all, I was very disappointed and will not be recommending this book to others.





