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I'll start off by admitting that I'm a great fan of Atwood's writing but absolutely cannot stand her as a person. This being her earlier work I expected to run into some of the vitriolic, man-hating feminism of hers that I can't tolerate. However, I only came to heads with her a couple of times. I found this collection quite satisfying. Due to my opinion of the author feel free to read my following comments with interest, amusement or offense. These are the thoughts that ran through my mind after reading each story.

A couple of the stories were previously published, but the copyright page gives no further details.

1. Significant Moments in the Life of My Mother - The narrator reminisces about the stories her mother used to tell about her own childhood between the wars. The mother is a wonderful storyteller but, even though the stories are told dramatically and humorously I noticed that each one was really in some way unpleasant. There is talk of what life was like back then when men were men and women were ladies. There is some deeper feminist significance to this that I won't go into. Overall, a very engaging historical fiction. (5/5)

2. Hurricane Hazel - No time is given, but it felt like the fifties to me here as the narrator describes the year she was 14 and had her first boyfriend, a 17yo mechanic. She doesn't have any feelings for him or dating in particular, but does all the things that she feels are expected of her at this stage of her life. It is an innocent relationship that the rather mediocre boy feels will eventually lead to permanence but our narrator never sees it as being anything more that a way to spend her time. A well-written tale I enjoyed reading, with an always rather morose feeling hanging over it. (5/5)

3. Loulou; or, The Domestic Life of the Language - This is a character study of a woman of undetermined age, possibly 40, still good looking in a muscular, earthy way. She is a potter and lives in a cottage with five men: her ex-husband, three ex-lovers, and her current husband; all of them poets. A lot of wordplay goes on amongst this group of people, but Loulou does start to wonder if she needs to move on and experiments with this when she hires a local village man to be her accountant. I think Loulou strings the men along, got what she wanted from them but was not scheming in any way; there was some innocence in her subduction. An interesting peek inside a strange family unit. (4/5)

4. Uglypuss - A depressing tale about a woman scorned. Told from the man's perspective we can take him to be an unreliable narrator but towards the end the woman takes over the narrative and both of them prove they were/are in a dysfunctional relationship. Well-written of course. I don't like Atwood's version of feminism, it doesn't work on me. Here I found the man to be a jerk but the woman was a crack-pot (of her own doing, not by his.) (3/5)

5. Betty - The story of a devoted wife and her charismatic husband who inevitably ends up leaving her for his secretary. An unreliable narration from a woman who knew her as a child and final sentiments on the callousness of all cheating men. A well-paced, well-written story but I disliked both the man and woman and couldn't have cared less. (3/5)

6. Bluebeard's Egg - The titular story of this collection is the longest one so far but is a very fast read. The story flowed very quickly and kept me engrossed. It is a strange tale though. Told by an unreliable narrator, the wife; she starts off talking about her husband and how "stupid" and simple-minded he is up to the point where we think he may be mentally challenged she then discloses he is a heart surgeon. Then she goes on with her story telling how much she loves this man she has been with for quite some time and how endearing his naive and childish character are to her until one day she suspects he might just possibly have been unfaithful to her. Then she has the audacity to say her husband must have been putting on an act and deluding her all these years! A very unlikeable woman indeed! Nevertheless, an engrossing story. (4/5)

7. Spring Song of the Frogs - This is quite depressing, but I like depressing. Told from a man's perspective but not in the first person. We get to know him a bit through three separate occasions. First he is on a first date with some expectations but when he catches the woman looking at herself in the glass of a picture behind him he can't wait for it to be over. Then he visits his niece who is in the hospital with anorexia nervosa. Finally, an old lover visits him for a dinner date at his house. There is a theme of thin, sickly women; this man wanting love but not knowing how to find it and finally his probability of having found it once with the ex-lover but not seizing the moment and now it's too late. (4/5)

8. Scarlet Ibis - This is my favourite story so far. Narrated by a woman who is on a vacation with her husband and youngest, preschool, child in Trinidad because the husband is "under pressure" and "needs rest". She complains a lot about their relationship; of how the husband is irritable and she feels invisible. Being an Atwood story and the way previous relationship stories have turned out in this collection, it is a nice surprise to see them encounter a crisis which ends up revealing to the woman that marriages can have patterns of ups and downs over time. (5/5)

9. The Salt Garden - I think I liked this even better than the last story. Very complicated relationships going on here. First of all the narrator, Alma, has visions of the nuclear explosion (this was written during the Cold War), she also fantasizes about how she and her daughter would survive the end of the world as we know it. Meanwhile, Alma is having an affair with her own husband, as he secretly slips out to meet her away from the girlfriend he is living with. At the same time, Alma has a lover, whom she cares for deeply and her husband knows about. Ultimately Alma would be perfectly happy if things could stay the way the way they were forever. She likes having two men, but being the realist and doomsayer she is she knows they will eventually want change one way or another, or their other women will force it. What Alma fails to realize is that each man is hinting, gently implying that they want her, only her, but she mistakes these gentle proddings of the men trying to discover her true feelings for them as signs that they intend to break off with her. She is a negative person who seems to like having the constant threat of doom hanging over, but she isn't unlikable. An interesting story, to say the least! (5/5)

10. The Sin Eater - Another story I enjoyed. Somewhat different from the rest. A woman is telling us about her interactions with her therapist/psychiatrist (it's never really made clear). He eventually tells her the story of the sin eaters in Wales from long ago who would eat a meal upon the coffin of the deceased. I liked the therapist's methods and his attitude: Life sucks so we must find a way to deal with/cope with it rather than the common attitude of shrinks who say well life is what it is, this is what's wrong with you, now you must change or adjust. Joseph is an interesting man, nice, I liked him but in the end we wonder if he was using his patients for his own therapy. (5/5)

11. The Sunrise - A very readable story but I can only take away from it how incredibly sad and alone this woman is. I didn't really have feelings for her as a real person. (3/5)

12. Unearthing Suite - This is a relaxing, harmonious story with a theme of communing with nature. Not heavy-handed or really even eco-centred, mainly of living off the land from pure want. The narrator is the daughter of a couple; the wife is always on the move, agile, outdoorsy while the husband is some sort of biologist (scientist or teacher) that is never made clear, but he lives outdoors continuously at awe with the minute wonders of plant and small animal life. The daughter grew up this way, but she is inactive, a watcher her whole life. She sees herself continuing to live this way but questions will she be able to make the move from bystander to participant? A pleasant, atmospheric mood to end this collection. (4/5)
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on June 2, 2002
In the car I always have an audiobook to listen to, and the last weeks I really have enjoyed Margareth Atwood's Bluebeard's Egg and other stories.
This is a collection of short stories written by a master of words, and a master of short stories. When Atwood writes she uses no extra words or sentences, she takes us right to the point, and the point in this collection is human beings. Common human beings fighting for their lives. No heros, just plain people like you and me. Every time a new story starts I think, this one cannot be better than the last, but it happend again and again, the story captivates me, and it is all mornings hard to stop the car and go to work - I want to hear just one more sentence, and then one more.
My favorite story though is the one that has given name to the collection, Bluebeard's Egg. A well known fairy tale, told and given it's own meaning by Atwood, or may be she just shows us the original meaning of the story. Sally, the main carachter of the story struggles with the puzzle of her life, to keep all the pieces together. The center of her life is her husband Ed, but how can she be sure that she is also the center in Ed's life? No one can write about this, invite us into and let us be in the feeling of the story like Atwood do.
Britt Arnhild Lindland
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on April 5, 1998
In Bluebeard's Egg, Margaret Atwood weaves her poetic prose though twelve short stories that are as haunting as they are hilarious. Atwood takes the reader on a journey within her characters' minds, using real life for the canvass of her work. While the reader senses almost no movement through the physical world, there is a striking depth and distance traveled in each story.
Atwood's characters range from neurotic artists to doctor's wives, all linked by their dysfunctional existence. In "Uglypuss," Joel, a struggling theater director, goes out for a drink when his estranged girlfriend announces that she is coming over. After a rendezvous of casual sex with an old aquaintance, Joel returns to find his place ravaged and his cat missing. It is in this twisted context where the protagonist asks, "what's the point of continuing, in a society like this one, where it's always two steps forward and two back?"
Atwood, like only a handful of other authors, is able to sharply focus her writing while grappling with philosophical issues. Yvonne, in "The Sunrise," wonders: "if art sucks and everything is only art, what has she done with her life?" All the while, the reader is grounded in sensory details, like Kimberly's "wet pink oyster-like mouth."
In many of the stories, Atwood melts past with present, mimicking the random texture of human thought. The seamless prose carries the reader along, stopping at childhood beach cabins, home economics class, and erotic sexual encounters. These retrospective glimpses are preludes to the hauntingly familiar world that the characters inhabit.
With Bluebeard's Egg, Atwood has reached a new plateau in her writing, showcasing complete mastery of the craft. Her prose grabs the reader, poking and prodding until the comical and horrific are somehow inseperable. This is superlative serious fiction from one of the most prolific authors of the genre. END
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on September 17, 1999
This was the first book by Margaret Atwood I read after reading the short story "Happy Ending" in an anthology.
A great writer is easily recognisable. All you have to do is to write a few lines of a novel or a short story. You will just keep on reading and feel sorry when you are closer to the end than to the beginning of the story.
This collection of short stories shows that Margaret Atwood is a major writer and story teller. Of course, not in the pulp fiction or slimy-sweet sense but you need a curiosity for the inner world of soliloquies and self-observations.
However, she does not give us lectures on psychology, but tells us the story and we can live it from the inside.
In three of the stories the seeds of her later novel, "Cat's Eye" can be found, which I was inspired to read exactly by them. Short stories can always be a good introduction or lead-in for writer and reader alike.
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on July 26, 2000
No one will mistake Margaret Atwood for Alice Munro when it comes to short stories. Most of these stories are trifles. Atwood's tendency to be elliptical really gets in the way of any development. Her narrators seem to just be skimming the surface of life with little or no consequence of that. Only the stories "Bluebeard's Egg" and "Scarlet Ibis" really rise above the level of craft, particularly the former. I love the preciseness with which Atwood details feminine rivalry over men! Overall, a hodge-podge of "short fiction pieces," not short stories.
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on March 27, 1998
Margaret Atwood, one of the finest authors of today, shows us her full strengths in this collection of short stories. She is a writer of subtlety and wit, involving her readers in the lives and imaginations of the characters she explores. The stories in this volume can be funny, touching, savage, or bleak, but all are touched by the same sharpness and sophistication. Atwood is an acute and penetrating observer of life and lives, and her writing is both insightful and poetic. For illumination, entertainment, and the enjoyment of fine writing, I recommend this volume highly.
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on December 31, 2011
I say "loved" because I haven't read her work since my mid-20s. On the back of my edition, the London Free Press is quoted saying, "Atwood appears to challenge both her readers and the outisde limits of her own talent... Writing at top form, writing with total control of her material, with sureness, with touches of brilliance... BlueBeard's Egg is a book to be read and re-read, to be talked about and savored." That about sums it up!
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