What would you do if, in the middle of a dinner party, one of your guests rose from the table, went upstairs and locked himself in your spare bedroom? Ali Smith presents such a scenario in her latest novel: in spite of coaxing from bewildered hosts and confused guests, Miles Garth refuses to leave Gen and Eric Lee's guest room and communicates only through notes he delivers under the door.
As a media frenzy ensues, a cast of characters from "Milo's" past emerges to shape the author's four chapters. Forty-something Anna Hardie met Miles in 1980 on a European Grand Tour; gay sexagenarian Mark Palmer, whose late mother speaks to him in verse, tried to pick Miles up at a Shakespeare festival; elderly dementia sufferer May Young benefited from Miles' help with grieving for her late daughter; and precocious ten-year-old Brooke finally breaks through to Miles with her wit and cleverness.
"There But For The" contains exquisite and heartbreaking scenes written in experimental, kinetic prose. Themes of time, isolation and identity provide a thought-provoking read and the non-linear story line engages the reader's intellect. However, Smith often overtaxes the narrative with exaggerated stream-of-consciousness, which distracts the reader from the plot's tension. Dialogue between characters tends toward the precious and inauthentic, filled with puns and double entendres. Brooke, especially, with her references to classic literature and obscure erotica, comes across as a literary tool as opposed to a genuine personality.
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