All-New Kindle Music Deals Store sports Tools countdown boutiques-francophones Learn more vpcflyout Home

Customer Reviews

4.6 out of 5 stars
4.6 out of 5 stars
Format: Hardcover|Change
Price:$25.67+ Free shipping with Amazon Prime
Your rating(Clear)Rate this item

There was a problem filtering reviews right now. Please try again later.

Showing 1-10 of 14 reviews(4 star). Show all reviews
on June 3, 2011
I really enjoyed this novel mainly because of its focus on the teenage years of a hero in the making. Many have commented on the writing style, which may be unusual in the fantasy world but not much in literature as a whole. In my opinion, what makes this novel truly different is its emphasis on the learning years of Kvothe.

As mentioned by other reviewers, the story pace is on the slow side without being too slow or too long in my view. I was never bored at any point while reading this novel. There is one thing that has bothered me however and it is the fact that there is no proper ending to this novel. I know and understand that this is only the first part of a trilogy, but there is no climax near the end of the novel or any form of conclusion to any of the main story plots. I was left with a "now what?" kind of feeling. I would have preferred a more defined separation between this first tome and the next one. I will be the first to admit that this is a small issue.
0Comment| 2 people found this helpful. Was this review helpful to you?YesNoReport abuse
You may or may not have heard of Patrick Rothfuss' debut. Word is beginning to spread around the internet, so chances are that you'll be hearing more and more about this one soon. Last fall I received an email from Rothfuss' agent, Matt Bialer, asking me if I'd consider reading an ARC of The Name of the Wind. Bialer revealed that Betsy Wollheim, Daw Books' president, considered the novel the best fantasy debut she's ever read in over 30 years as an editor. Well, let it be said that a lot less is required to pique my curiosity! Both wanted me to be one of the first reviewers to get a crack at it, and I wish to thank them for thinking of me. Apparently they respect my reviews. . . Imagine that!;-)

Of course, when a debut comes with such high praise on its front cover, it's impossible to treat it as just another debut. For obvious reasons, all of a sudden you find yourself judging it against works such as Robert Jordan's The Eye of the World, Tad Williams' The Dragonbone Chair, George R. R. Martin's A Game of Thrones, Stephen R. Donaldson's Lord Foul's Bane, and other opening chapters of superior series. Understandably, this can have positive as well as negative repercussions.

In a nutshell, The Name of the Wind recounts the tale of Kvothe, a young man destined to become the most powerful wizard the world has ever seen. It begins with Kvothe's childhood years, first as a member of a traveling troupe of musicians and artists, and then as a street urchin forced to fend for himself in a violent environment. Later, the story shifts to his adolescence, at a time when he is admitted to the University, renowned school of magic.

Reading along, I found the structure of the story a little odd. The better part of the novel is comprised of Kvothe's back story, with only a few scenes occurring in "real time." Having never encountered something like it, I discussed it with Betsy Wollheim. She did shine some light on the matter, and it turns out that Rothfuss' first trilogy will focus on the main character's past, with occasional tantalizing hints of things to come. A second trilogy will then recount Kvothe's "present" tale.

The Name of the Wind is told in a first person narrative. Hence, other than those "real time" segments told in the third person, most of the book is told from Kvothe's perspective. Those who have a problem with single-POV narratives similar to that of Robin Hobb's The Farseer and The Tawny Man trilogies, consider yourselves warned. The main danger in using the first person narrative is that the entire story rests on the shoulder of a single character. If you like Kvothe, terrific. If you don't, that's where it gets tricky. I had no problem with that facet of the novel, but I'm acutely aware that some readers don't care much for the first person perspective.

The worldbuilding doesn't play a big role in this debut. And yet, Rothfuss hints at a much vaster depth, hopefully to be explored in future sequels. The author has an eye for details, and the story does come alive as you turn the pages. The magic system appears to be well thought of and interesting, and I'm eager to learn more about it.

The Name of the Wind is a character-driven book. As a first person narrative, it can't be anything but that. The supporting cast is composed of a relatively small number of characters, which is rather rare for a book of this size. I'm looking forward to learning more about them in the upcoming installments.

The novel suffers from only one flaw -- a flaw shared by various Daw books: it's too long. I feel that Rothfuss' attention to details slows the pace in several portions of the book. Now, the tentative pagination of The Name of the Wind weighs in at 904 pages, making this debut a heavyweight. I feel that some scenes could have been truncated and others excised without the readers missing out on any major plotlines. In my opinion, this would quicken the rhythm and improve the overall quality of the book.

Unlike some debuts that are not easily accessible -- Hal Duncan's Vellum and Steven Erikson's Gardens of the Moon come to mind -- I'm persuaded that The Name of the Wind can appeal to both neophytes and long-time fans of the genre. As such, it's similar to both Brandon Sanderson's Elantris and Joe Abercrombie's The Blade Itself in that regard. It's also a throwback work, which brought fantasy novels likes Raymond E. Feist's Magician and David Eddings' Pawn of the Prophecy to mind.

Although a bit overlong, The Name of the Wind is a solid and ambitious effort. Two years ago I would have claimed that it could well be the debut of the year. But Hal Duncan and Scott Lynch have forced us to look at debuts in a different way. Still, Patrick Rothfuss wrote an auspicious debut, and I'm curious to discover the rest of Kvothe's tale.


For more reviews, interviews, book giveaways and more, check out [...]
0Comment| 30 people found this helpful. Was this review helpful to you?YesNoReport abuse
on December 11, 2011
I really loved this book. It's well-written. I'd rate it 5 stars except for the fact the returns to the "present day" get a bit annoying after a while.
0Comment|Was this review helpful to you?YesNoReport abuse
on September 19, 2015
Great book. I like the way it was narrated. Some parts were overly corny for my taste though. Overall enjoyed it though
0Comment|Was this review helpful to you?YesNoReport abuse
on July 21, 2016
This was a good read and very absorbing. It has some interesting similarities to other popular fantasy series. I have already purchased the follow up "The Wise Man's Fear".
0Comment|Was this review helpful to you?YesNoReport abuse
on April 30, 2010
A good book. Decently written. Fun to read. Original. Even if your not a big fan of fantasy.
0Comment|Was this review helpful to you?YesNoReport abuse
on October 12, 2015
I couldn't put this book down. I just wish that the sequels weren't so bad.
0Comment|Was this review helpful to you?YesNoReport abuse
on April 2, 2014
This book has fantastic intrigue and suspense; very well written. But there's literally only one female character who isn't seen as a motherly figure or as a sexual conquest... Personally, I'd like to see a wider variety of female characters.
0Comment| One person found this helpful. Was this review helpful to you?YesNoReport abuse
on July 2, 2014
This book is very well written and well worth reading,

That being said i almost put it down a couple hundred pages in.

The book starts in third person and does an unorthodox shifting between third and first, It is a well used device for most of the book but i think the amount of front loaded events in the third person view--which seem inconsequential for the majority of the book--is a bit off putting. It left me feeling like the first part of the book, while not useless, would not be paid off until many books down the line.

The latter 3/4s of the book did not resolve that issue (I still think the present day events could have been better paced within the bulk of the story in a way that makes reading them a little less intrusive at the beginning) however; the book as a whole is extremely well written and turned into one of my favorite modern fantasies.

SO! - If you like fantasy of pretty much any sort I would recommend this, it straddles the maturity / darkness line somewhere right between game of thrones and wheel of time, masterfully. I think people who like gritty realism and those that don't want gratuitous sex could both love this.
If you are feeling like I did about the first section of the book, Keep going it's worth it!
0Comment|Was this review helpful to you?YesNoReport abuse
on March 16, 2014
The Name of the Wind uses embedded stories to tell the past and present tales of the legendary arcanist Kvothe. The book opens in the present with Kvothe hiding out as a small-town innkeeper, for reasons mostly unknown. A scribe named Chronicler manages to track him down, though, and after some reluctance, Kvothe begins telling the story of his childhood, his time spent at the University learning (among other subjects) sympathy (one type of what they call magic), and his eventual rise to infamy.

Most of the novel is told in this two-levels-deep format, which is to say that the action happening in the present forms only interludes in Kvothe's tale. The present action is actually quite exciting—rumours of demons encroaching on the town abound—but left me wanting more. With that, though, I would not say the interludes are underdeveloped, but instead are probably helping to set up for the rest of the trilogy (The Kingkiller Chronicles).

While every page was exciting on a local level, I found that the novel didn't build to anything globally. The climax occurred almost by accident, and seemed very unrelated to the rest of the novel. Again, I'm hoping that the remainder of the series does this justice.

On a more positive note, I enjoyed the magic system, in that it wasn't really "magic": spells have to obey conservation of energy, for example, and there are several other laws that provide a mathematical basis for determining the efficacy of a spell. Because there's a kind of physics to the magic, it's universal, and anyone can learn it. There's also an advanced level of magic in which knowing the true name of the object gives an arcanist control over it—hence the title, The Name of the Wind (see also Ursula K Le Guin's A Wizard of Earthsea).

All in all, The Name of the Wind was exciting, and I'm willing to grant that my qualms about certain aspects being underdeveloped are probably more cliffhangers than poor writing ability. With that, I have high hopes and perhaps even higher expectations for the rest of the trilogy. 4/5 stars.
0Comment|Was this review helpful to you?YesNoReport abuse