on May 7, 2016
There's almost a apathetic humor to the amount of violence in this movie. Starting with the kids torturing a scorpion in a sea of red ants, as the Pike and his gang dressed as military men trot into town. The bank robbery almost goes smoothly, as long as the victims obey and comply, and Pike has no reservations about killing them if they don't. When it turns out it's a set up by the railroad company and a band of eager and green bounty hunters, all hell breaks loose upon the town during a temperance parade. In the get away and aftermath, there's this split of sadness and indifference to the lives lost in the carnage - for both the 'good guys' and the 'bad guys'. And the knowledge that ex-gang member Deke Thornton is leading the bounty hunters to keep himself out of jail and execution by being in compliance with the Railroad Company to put an end to Pike and his gang once and for all - there's empathy and respect still from Pike and Thornton in that they 'gotta do what they gotta do'. And it's that revelation in this movie that the 'good guys aren't all that good' and the 'bad guys aren't all that bad' that makes this film so lasting. Considering the movies at that time such as Bonnie & Clyde, Easy Rider, Catch 22, etc. The good guys in the end were made to be sinister, and the bad guys the pure innocents. Whereas The Wild Bunch tends to keep everyone 'in their place' right up to the end. There's an overbearing sense of shame at the end for both the good and the bad for how it had to resolve itself. If it wasn't for the ineptness and bad judgement, the 'heroism' wouldn't have had to happen. And on the other side, if it wasn't for the blood lust and saving their own skin, a brighter future may have been had?
So not as grim and sad as some of the other movies of that time. Yet not as optimistic and hopeful as Catch 22 or 2001: A Space Odyssey. The Wild Bunch gets the job done, and simply carries on as best it can. Remarkable movie in acting, story, and special effects/stunts. I don't think any viewer won't agree with Pike when he says 'I hate to see that!'. Yet, it's hard not to stifle a giggle by the end at the utter barbaric cost of trying to do things right.
on July 20, 2016
This movie turns the page on the old mythologies of the Old West. The Old West where outlaws and anti-heroes first started to become romanticized by the American public at large. These men and women who took what they wanted and often-times got what they deserved..
The seventies again marked a time for a re-emergence of the ant-hero on his individualistic quest. his war against societal norms. The old cinematic pariah Sam Peckinpah paints once again a romantic portrait of the barbarism that engendered modern American culture.In this case bands of anti-heroes who have their outmoded value systems quashed by modern technology, physically and spiritually. Just as Peckinpah and many others were feeling in the seventies when youth culture had a spiritual awakening while railing against the military-industrial complex.
I am sure that Peckinpah really only wanted to make a great but grueling western film in the Samurai tradition where honour and code abound. Where great glorious bursts of blood take on its own character as an honorific. He has lead us instead down a highway where technology crushes barbarism only to be replaced by an ever more sophisticated and ruthless barbarism.
on April 23, 2015
A different type of western. All are villains but also heroes in their final shootout. A real private war in a small Mexican village against a small army commanded by a power mad creep with a Napoleon complex. The century has changed, so robbing trains and banks has become very risky and not that profitable. They are men who have outlived their time. The U.S. military are after them, so Mexico seems the place to hide in. Borgnine has that smile, likes the wine bathing with some ladies, Jack Elam looks his evil self. All belong to the "over the hill age group", except the young guy, and his wife triggers the violence. Very real portrayal of the times. Definitely a 5 star film.
on July 15, 2004
The Wild Bunch-Restored Director's Cut is one of the best westerns ever made and also one of the best movies ever. In 1913 during the Mexican Revolution, times are changing as the Old West disappears into oblivion. After a botched robbery in the town of Starbuck, the Wild Bunch, a gang of aging outlaws must decide what their next move is. The remaining members of the gang decide to head south into Mexico where their services may be needed. The bunch robs a gun shipment for a Mexican general, hoping this will be their last job. At the same time, a posse is hunting them down with a former gang member at the posse's head. While this movie is most well known for its violence, it is ultimately a story about honor among men in a changing time. Knowing that the world they knew is changing, the bunch has to try and survive as their end closes in. Nonetheless, director Sam Peckinpah knows how to construct an action sequence. The Battle of Bloody Porch is a balletic, slow-motion, masterpiece of blood and guts as the Wild Bunch meets their end. Just as good is their final march through the streets knowing what awaits them. One of the best westerns, if not the best, ever made and highly recommended.
What makes this movie special, along with the groundbreaking filmmaking of Sam Peckinpah, is the cast. The whole cast gives excellent performances. William Holden stars as Pike Bishop, the leader of the Wild Bunch who knows time is running out for the bunch. His right hand man, Dutch Engstrom, is played by Ernest Borgnine in a perfect part for him. Robert Ryan plays Deke Thornton, a former member of the Wild Bunch and the unwilling leader of the posses following the gang. The rest of the gang includes Edmond O'Brien as Freddie Sykes, Warren Oates and Ben Johnson as brothers Lyle and Tector Gorch, and Jaime Sanchez as Angel. Emilio Fernandez plays Mapache, the Mexican general who pays the bunch to steal a shipment of guns. Strother Martin and L.Q. Jones are great as Coffer and TC, members of the posse. What is surprising about these characters is that as despicable as they are, they are still likable. The Restored Director's Cut DVD includes about ten minutes cut from the original version, a theatrical trailer, production notes, an excellent making of documentary, "The Wild Bunch: An Album in Montage", and a great-looking widescreen presentation. For a great western with incredible gunfights, a terrific cast, and a great story, check out the truly classic western, The Wild Bunch!
on February 15, 2014
This is for the Blu Ray. Received the Blu Ray version for Christmas. I cannot believe how wonderful the movie looks. I've watched this movie at least a hundred times on VHS and DVD but watching it on Blu Ray is like watching it for the very first time!
on July 5, 2004
"The Wild Bunch" is not the typical western that tells the story of a bunch of good ol' cowboys versus the mean ol' Indians, this movie goes beyond the cliches of the earlier westerns, so in some way "The Wild Bunch" resembles more to a Spaghetti Western than a John Wayne-versus-the-indians western.
Sam Peckinpah took two steps forward the use of violence in the movies, he show the world how to use violence in a movie to produce visual art. Of course, some might complain about the cruel scenes in "The Wild Bunch", but open minded people know that the violence in the movies is not even close to the cruelty of the real world violence, plus, the violence in a movie can produce visual art if it's used in the right way, like Sam Peckinpah or Sergio Leone did in their movies.
"The Wild Bunch" has an excellent cast: the always efficient William Holden and Ernest Borgnine plus a great supporting cast that includes names like Robert Ryan, Warren Oates and Emilio Fernández. Also, the director Sam Peckinpah gave importance to each character, and that contributed to form a solid story. The cinematography is spectacular, "The Wild Bunch" has a lot of impressive camera angles that show the cruelty of the bullets and explosions, and the movie has some of the most impressive scenes ever put to film.
"The Wild Bunch" is in a very selected group of westerns. That list includes movies like "High Noon". "The Searchers", "Stagecoach", "The Good, The Bad And The Ugly" and "Once Upon A Time In The West", among few others. That list includes the best westerns, and "The Wild Bunch" belongs in the list.
on March 24, 2004
It's 1913, a bunch of outlaws, led by Pike Bishop, have been riding along the U.S.- Mexican border. Their world is changing rapidly around them - progress is changing the land, in one scene they see a motor car and talk about a flying motor car they had heard of. "The Wild Bunch" realize that their place in time is nearly at an end, and they decide to call it quits and retire after one final haul.
Holden is Pike Bishop, the no-nonsense leader of the Bunch; Borgnine is Dutch, his dogged, faithful second-in-command; Jaime Sanchez is a Mexican named Angel; Warren Oates and Ben Johnson are the Gorch brothers, Lyle and Tector; Bo Hopkins is Crazy Lee. Pike's nemeses are his ex-partner, Deke Thornton (Robert Ryan), a haunted man who has been hired out of Yuma Prison to hunt Pike down; the ruthless railroad security chief Harrigan (Albert Dekker); and a scurvy band of "gutter trash" (including Strother Martin and L.Q. Jones) out for bounty.
"The Wild Bunch" is considered one of the masterpieces of the Western film genre, a hard-edged landmark film, beautifully shot in wide-screen by cinematographer Lucien Ballard. With numerous, elaborate montage sequences, the film set a record for more edits than any other film up to its time.
Its unrelenting, bleak tale told of outlaws bound by a code of honour and friendship. The film is book-ended by two extraordinary sequences - the gang of desperadoes are first assaulted in the film's opening ambush following a bank robbery, and then brutally destroyed in the film's conclusion - in some of the bloodiest, most violent shoot-up scenes ever filmed.
Loyalty is certainly a main theme. For all the internal strife within the Bunch, the bonds that tie them together are far more powerful than those which seek to break them apart. Betrayal of any sort is unthinkable, which gives added resonance to the dynamics between Pike and Thornton. Once companions, now enemies, only death can free one from the other. Oaths are important because they cement loyalty. One line, spoken by Pike, summarizes the film's viewpoint: "When you side with a man, you stay with him."
on March 1, 2004
The Wild Bunch is, without a doubt, one of the greatest westerns that has ever been thought up, but it is also quite controversial. The romantic view of the Old West is shattered in this 1969 film; no sign of John Wayne anywhere, and most of the cliches found in a typical western are nonexistant(not that I dislike typical western movies, they're actually quite entertaining). Sam Peckinpah, a master of improvisation, creates an unforgettable movie that is not only responsible for redefining cinematic violence, but also carries with it an engrossing story of friendship, betrayal, and the dying west. I didn't feel a Director's cut was needed for this film though, because the original version moved at such a lightning-fast pace. The restored scenes may interest some viewers, but I just wasn't interested. That is probably why I don't own this version of the movie. I'd prefer that other Sam Peckinpah flicks be restored, preferrably Major Dundee. Besides that, the DVD still captures all the explosive action and catchy dialogue. I particularly enjoyed the presentation of the credits, and Jerry Fielding's music adds to the realistic atmosphere, and that's not a bad thing. If you're looking for a great action flick with a plot, The Wild Bunch is a winner for a weekend rental, but RENT this version before you buy it.
on January 20, 2004
The Wild Bunch was directed by a man whose ideas of manliness and honor were those of the Bronze Age. Nevertheless, this film is far above the level of a shoot 'em up. The viewer is constantly impressed by the acting, the photography, the editing and the sheer skill in telling an exciting story. Like David Lean, Sam Peckinpah was a master of both character and action. The two massacres (which gave the film its notoriety) may seem gratuitous and disgusting, but without them The Wild Bunch would be merely a superior Western. I am not sure what these beautiful ghastly ballets of death mean. I suppose they express the death wish, the devil of destruction in the human animal. There are a number of brilliantly directed scenes. My favorite is at the very beginning when the the outlaws ride into a Texas border town disguised as Army troops. Peckinpah immediately establishes the tone: legendary, suspenseful, doom-laden. The children torturing the scorpions is one of the unforgettable images in the history of the movies. The documentary about the making of the film is fascinating. It shows that Peckinpah was an inspired improvisor, a quality that probably accounts for much of the excellence of this film.
This is among the classic westerns, one which must be seen only in the 145-minute director's cut version to be fully appreciated. Yes, it is an exceptionally violent film but none of the graphic violence seems to me gratuitous, unlike in some of director Sam Peckinpah's other films. Pike Bishop (William Holden) heads a gang which robs banks and trains. Deke Thornton (Robert Ryan) is a former member whom railroad owner Harrigan (Albert Dekker) arranges to be released from prison on the single condition that Thornton lead efforts to kill or capture Bishop and his gang. If he fails, he will be returned to prison. The quality of all performances is outstanding, as are Peckinpah's direction and the cinematography provided by Lucien Ballard.
The primary plot involves Thornton's efforts to complete his assignment but there are several interesting sub plots, notably one involving Coffer (Strother Martin) and his fellow scavengers. (Martin once observed that he and Dub Taylor specialized in portraying "prairie scum.") The opening scene shows a scorpion being consumed by fire ants. Coffer and his motley crew hope to have a similar opportunity to feast on what remains of the Bishop gang. I was also fascinated by the interaction between the Bishop gang and the Mexican federales (headed by General Mapache played by Emilio Fernandez) who also pursue them. Time eventually runs out. Bishop and his associates must decide: Either quietly depart with their tails between their legs or take a stand and probably be killed.
In my opinion, the final sequence justifies all of the violence which precedes it. Many of those who have seen this film are offended by its especially graphic portrayal of bloodshed. They have a point unless they take into full account the frontier culture in 1913 in which Bishop and his associates challenge all manner of conventions (as does Peckinpah) while fulfilling their destiny as robbers and killers. They are what they are. They have no self-delusions. None. Thornton is the only sympathetic character, Bishop's reluctant and weary adversary. In the last scene, his body language is especially eloquent. He and we feel spent. Enough. No more. It's over.