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Showing 1-10 of 338 reviews(5 star). See all 456 reviews
on April 9, 2015
Awesome! Great image and the extended scenes are simply awesome!
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on June 20, 2017
The product is worth the price, it looks very beautiful. I am very satisfied with it, since received, I have been using.Overall, I am very satisfied with it.
Received this as a gift. Very impressive and chuffed with it. Well worth it. These are wonderful. So pretty and easy to work with. I am pleased with the purchase while got a bargain I am very satisfied Very useful gadget.
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Few movie experiences have been as sublime or heartrending as the "Lord of the Rings" trilogy, which began with the forming of a Fellowship and grew with the battle against the Two Towers.

And in "The Lord of the Rings: The Return of the King," Peter Jackson brings JRR Tolkien's epic fantasy to its powerful, heartbreaking close. While the ending is notoriously gradual to unfold -- not surprising in a story this long and complicated -- it's a glorious experience that can only end in beauty, sorrow and the ultimate battle between good and evil.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel to get Frodo back.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the joined forces of Gondor and Rohan will not be enough to stop Sauron unless Frodo destroys the Ring -- and with his mind being worn away by its evil, he might not be able to.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

Peter Jackson manages to craft a genuine sense that this is an epic story -- the scope of the story grows even larger when Gandalf and Pippin ride to Minas Tirith, especially when we see the sweeping grandeur of the signal fires. And of course, he sweeps through a series of increasingly explosive battle scenes (involving oliphaunts, Black Riders and glow-in-the-dark ghosts). Each action scene a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other. They cry, they hug, they think about home -- such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into equally rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins. Frodo's gradual deterioration is wrenching to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" unbowed hobbit, rather than the follower ("I can't carry it for you... but I can carry you!"). The final scenes between these two outstanding actors are beautiful and understated.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, as both younger hobbits are forced to deal with the horrors of war. Ian McKellen balances action with grandfatherly wisdom, and Bernard Hill, Miranda Otto as the despairing Eowyn and David Wenham as the noble, kindly Faramir all give amazing performances. And of course, the titular king is Mortensen's Aragorn, now faced with the ultimate challenges -- and possibly the ultimate sacrifices -- that will decide whether he falls or triumphs over Sauron.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is a fitting capstone to the trilogy.
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Gandalf said it best: "I will not say: do not weep. For not all tears are an evil."

And it's of tempting to weep as the "Lord of the Rings" trilogy draws to a close, with the "Return of the King." Peter Jackson's brilliant adaptation ends the classic fantasy epic with a bang... but then quiets down to let us bid farewell to these lovable characters. Astounding direction, action, and a little pang when it's all over.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel on his own.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring -- and its power over him is growing.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

And in this movie, Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene is a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other, such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins -- it's hard to imagine any young actor in recent memory who has given a performance this wrenching. Frodo's deterioration is horrifying to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, demonstrated in a tearjerking scene as they scale Mount Doom.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen and McKellen are astounding as the kingly outcast and the kick-butt wizard, while Miranda Otto, David Wenham and Bernard Hill are brilliant on the sidelines.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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Gandalf said it best: "I will not say: do not weep. For not all tears are an evil."

And it's of tempting to weep as the "Lord of the Rings" trilogy draws to a close, with the "Return of the King." Peter Jackson's brilliant adaptation ends the classic fantasy epic with a bang... but then quiets down to let us bid farewell to these lovable characters. Astounding direction, action, and a little pang when it's all over.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel on his own.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring -- and its power over him is growing.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

And in this movie, Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene is a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other, such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins -- it's hard to imagine any young actor in recent memory who has given a performance this wrenching. Frodo's deterioration is horrifying to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, demonstrated in a tearjerking scene as they scale Mount Doom.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen and McKellen are astounding as the kingly outcast and the kick-butt wizard, while Miranda Otto, David Wenham and Bernard Hill are brilliant on the sidelines.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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Gandalf said it best: "I will not say: do not weep. For not all tears are an evil."

And it's of tempting to weep as the "Lord of the Rings" trilogy draws to a close, with the "Return of the King." Peter Jackson's brilliant adaptation ends the classic fantasy epic with a bang... but then quiets down to let us bid farewell to these lovable characters. Astounding direction, action, and a little pang when it's all over.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel on his own.

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring -- and its power over him is growing.

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

And in this movie, Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene is a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other, such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins -- it's hard to imagine any young actor in recent memory who has given a performance this wrenching. Frodo's deterioration is horrifying to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, demonstrated in a tearjerking scene as they scale Mount Doom.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen and McKellen are astounding as the kingly outcast and the kick-butt wizard, while Miranda Otto, David Wenham and Bernard Hill are brilliant on the sidelines.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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Peter Jackson's epic adaptation of "Lord of the Rings" reaches its pinnacle in "Return of the King." The stellar cast, mind-blowing special effects and heartbreaking script are all present in the third movie, which is not only the last of the "Lord of the Rings" films, but the best.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel...

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring...

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other. They cry, they hug, they think about home -- such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into equally rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins. Frodo's gradual deterioration is wrenching to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, rather than the follower. The final scenes between these two outstanding actors are beautiful and understated.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen gets more kingly every moment, while Ian McKellen balances action with grandfatherly wisdom. Bernard Hill has a quietly moving final scene, while Miranda Otto makes the despairing Eowyn a strong, kick-butt heroine.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
0Comment| One person found this helpful. Was this review helpful to you?YesNoReport abuse
Peter Jackson's epic adaptation of "Lord of the Rings" reaches its pinnacle in "Return of the King." The stellar cast, mind-blowing special effects and heartbreaking script are all present in the third movie, which is not only the last of the "Lord of the Rings" films, but the best.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel...

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring...

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other. They cry, they hug, they think about home -- such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into equally rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins. Frodo's gradual deterioration is wrenching to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, rather than the follower. The final scenes between these two outstanding actors are beautiful and understated.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen gets more kingly every moment, while Ian McKellen balances action with grandfatherly wisdom. Bernard Hill has a quietly moving final scene, while Miranda Otto makes the despairing Eowyn a strong, kick-butt heroine.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
0Comment|Was this review helpful to you?YesNoReport abuse
Peter Jackson's epic adaptation of "Lord of the Rings" reaches its pinnacle in "Return of the King." The stellar cast, mind-blowing special effects and heartbreaking script are all present in the third movie, which is not only the last of the "Lord of the Rings" films, but the best.

Frodo (Elijah Wood) and Sam (Sean Astin) are still following the treacherous Gollum (Andy Serkis) on the path to Mordor, with the increasingly strained Frodo unaware that Gollum is sowing suspicion between the two best friends. By the time he realizes his mistake, he's been dragged into the lair of Shelob, a monstrous spider, and then abducted by orcs who want the Ring he carries. Determined to find his friend, Sam heads into an orc citadel...

Meanwhile, Gandalf (Ian McKellen) takes Pippin (Billy Boyd) with him to Minas Tirith, after the hobbit has a close encounter with Sauron through a palantir. \Not only is the city under siege, but the Steward Denethor is slowly going insane, even sending his one remaining son, Faramir (David Wenham), on a suicide mission to reclaim a dead city. With Minas Tirith crumbling, Aragorn's (Viggo Mortensen) only hope may to be summon an army of the dead, who will only obey the King of Gondor. But even the dead won't help him if Frodo doesn't destroy the Ring...

The "Lord of the Rings" trilogy is one of those once-in-a-lifetime movie experiences. There has never been anything quite like it in movie history, and there probably never will be again. It seems somehow fitting that the book that every other fantasy has to measure up to, has now become a sweeping cinematic triumph that actually stays halfway loyal to the books. Good things come to fans who wait, I guess.

Peter Jackson really outdoes himself. You know those battle scenes in "Two Towers" and "Fellowship of the Ring," with the swooping camera and thousands of orcs, clashing with men on a gloomy battlefield? In "Return of the King," Jackson surpasses that. There's everything from volcanic eruptions to an invasion of howling ghosts to the attack of the oliphaunts (like elephants, only bigger). Each action scene a shattering ride, and there's no guarantee that all the beloved characters will make it out alive. Some of them don't.

But if Jackson manages the epic battles well, he does an even better job with the gentler, quieter moments. The action slows down, and the characters take a moment to support and comfort each other. They cry, they hug, they think about home -- such as Gandalf comforting the frightened Pippin with a description of the afterlife. Jackson and his fellow screenwriters Fran Walsh and Phillippa Boyens throw themselves into the semi-formal language of Tolkien's world, resculpting Tolkien's words into equally rich movie dialogue.

Elijah Wood gives an unparalleled performance as Frodo Baggins. Frodo's gradual deterioration is wrenching to watch, and the climactic scene at Mount Doom displays just what the Ring can do to even the pure-hearted hobbit. Sean Astin follows up with his powerful performance as Sam, who is increasingly the "strong" hobbit, rather than the follower. The final scenes between these two outstanding actors are beautiful and understated.

But all the supporting cast also give powerful performances -- Boyd and Dominic Monaghan put their characters through some intense growing pains, and the "I'm going to take care of you" scene is enough to bring tears to your eyes. Mortensen gets more kingly every moment, while Ian McKellen balances action with grandfatherly wisdom. Bernard Hill has a quietly moving final scene, while Miranda Otto makes the despairing Eowyn a strong, kick-butt heroine.

Perhaps the most striking thing about "Return of the King" is the final fourth of the film. While the "multiple endings" may annoy some viewers, it seems somehow right to gently let go of these characters rather than have a sudden, splashy finale. And whether they have a happy or sad ending, Jackson never lets us forget that they all made sacrifices to battle Sauron.

"Return of the King" brings the epic "Lord of the Rings" trilogy to a close, and cements Jackson's reputation as a master filmmaker. With the outstanding cast, beautiful scripting and amazing direction, this is the best of the "Lord" films -- and that's saying something.
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on June 10, 2004
Not much can be said about how great this movie is that hasn't been written already. This review is geared toward the purchase of the dvd. When is saw this at the theatre, my senses of sight & hearing were overwhelmed.
One a huge screen, there is so much action to swallow it's nearly impossible to digest it all. Those screeching flying Nazgul dinosaurs, ouchhhh! While watching it for the first time at home, I saw things I don't remember from my theatre experience. The small screen actually shows the eye things from a different perspective. You are able to take in the entire screen at once. I am not going to say it's like watching a different movie, but the same movie with subtle differences. Many people might be reluctant to buy the dvd after seeing the movie on the big screen, don't be! You'll enjoy the movie over again and again. Add to cart!
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