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on July 2, 2013
If you like gene kelly and musicals youll like this. Musicals had their heydey in the 40s and 50s and MGM had them in colour and even the more lacklustre betty grable musicals were in colour, not many films were meaning they were willing to spend money on them and budgets, people came to see them i find them fun, almost like a variety show. There are many musical stars i like kelly and judy garland(who made to few)..there are many other famous dancers fred astaire and others..Kelly i like and its hard to figure out why? Here we have debbie reynolds donald oconnor a star studded cast and many musical numbers make'em laugh and others. At the end of the film we recall Kelly and the film is meant to revolve around him and Reynolds(and she does a great commentarty)..its an ironic film in a way the rain scene is wonderfully filmed and the dancing is great..on these musicals the stunts the dancing and the film are well choreographed and its exciting..athletic and gymnastic oriented kelly was in shape and muscular..its a thrill to watch him go through the gyrations almost perfect like turning a critic into an admirer..thats why people are hesitant to make musicals at times but some famous names have tried catherine zeta jones anne hathaway..and are the women as good as dancers as the men. IN terms of gymnastics and gyrations and other manipulations its not fair to compare the that sense fred astaire and ball room dancers type..the AStaire film is a different form of dancing..Kelly is really theres a script..about love and this film is about and its power and hows Kelly come across it seems sentimental and all too nice it was..and meant to be..and they seem pleasent in this musical love sonnet..a musical love melodrama..i like the Kelly type a dancer and performer he has his own type of musical..and hes an actor of his own stamp also..enjoyable and classic! A love musicall..i think the best musical and they note that also..i like these humorous type musicals rather than the too austere type...that suits Kelly fine..the comedy..thats why critics found Brigadoon hard to take as i do,,Dore Schary took the studio over, as Reynolds notes..and musicals died out at this studio the championof the art form. Why? Hard to say..ask Schary and who made these decisions..Reynolds is all too appealing as the love interest and comes off better in the emotion of love..all too believable in their love scenes..and brings life to the role and kelly as the it all a classic type love story in the rain..rain and being young when we are prevented from following through on our hearts desire..almost jailed inside..but they plow through the rain dancing and hoofing..the power of love..Good Musical..
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on October 17, 2012
It's hard to believe that there may be some people out there who have not seen Singin' In The Rain but if you are one of them, this new digital remastered version is an absolute treat. It's 1927 and Hollywood is in a turmoil because the first sound film has been released. Suddenly, all the silent stars must learn to speak. For Don Lockwood (Gene Kelly) this is no problem but for his squeaky-voiced co-star played by Jean Hagen it is a huge problem.
With the help of his long-time pal Donald O'Connor, Gene begins to revamp his latest film into a talkie. To complicate matters, he falls for rising star Debbie Reynolds and that just irritates Jean Hagen all the more.
The problems eventually get ironed out and in the process we get some great singing and dancing numbers including O'Connors exhausting "Make 'Em Laugh" and Kelly's "Broadway Melody" fantasia which includes an appearance by Cyd Charisse. There's never a dull moment and not one second-rate song in this great film.
No wonder it is considered one of the top Hollywood musical films of all time.
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'Singin' in the Rain' arrives at blu ray with MPEG-4 AVC 1080p 1.37:1 encode. Warner Bros. is rejuvenating catalog classics with loving remasters and impressive video transfers. 'Singin' in the Rain' is given a similar treatment; just not one that lives up to the high standards set by 'Ben-Hur' and 'Casablanca'.

Positive: Colours have been granted new life. Primaries are gorgeous. Skintones are lovely (albeit a touch over-saturated now and again). Black levels are rich and savory, and contrast does not falter. Moreover, print scratches and blemishes are nowhere to be found. Grain, though light, is pleasant and consistent.

Negative: The film's inherent softness can be prohibitive, and a noticeable waxiness afflicts a number of closeups and midrange shots, probably due to artificial sharpening. Mild to moderate edge halos are present throughout the film.

Overall, it is still a vast improvement over previous DVD releases (4/5)


The high point of Warner's AV presentation is undoubtedly its carefully mixed DTS-HD Master Audio 5.1 surround track, which retains the humble qualities of the film's original monoaural sound design while allowing Nacio Herb Brown and Arthur Freed's music to flourish across the entire soundfield. Dialogue and song lyrics are clean, clear and perfectly prioritized, be it Gene Kelly's dulcet singing voice, Donald O'Connor's chirpy quips and verbal gymnastics, or Debbie Reynolds' velvet-smooth tone. Various songs, from 'Good Morning' to 'Moses Supposes' to 'Make 'Em Laugh' to 'You Were Meant for Me' are a joy to listen to. The orchestra's instrumentation is also extremely well done, just a full, utterly satisfying sound from beginning to end. (5/5)


If you own the Ultimate Collector's Editions of either 'The Wizard of Oz,' 'Gone With the Wind,' or 'Ben-Hur,' you'll be familiar with the scope and size of this limited and numbered 60th Anniversary package (mine 32059/75000). Measuring a hefty 8" wide-x-11-1/2" long-x-2-3/4" deep, the simply illustrated white box is sheathed in a clear plastic slide-on cover that lists specs and supplement info. Inside lies a full-size, 48-page, lavishly illustrated hardcover book that features many rare photos, shooting logs, and well-written text. The film's production history, an overview of the famed Freed Unit and its accomplishments, brief bios of the principals and key supporting players, a behind-the-scenes look at many of the movie's numbers, and a list of both changes to the script and deletions after the picture's previews are all included within the pages of this absorbing and beautifully designed volume. Also in the box is an envelope containing miniature reproductions of three posters (called lobby door panels) for the film, as well as a commemorative, fully operational umbrella adorned with a silver umbrella charm dangling off the handle. I am going to show off this special umbrella to my friends in the future (on a sunny day of course). This handsome box set will be displayed prominently outside my home theatre, next to `Gone with the Wind', `Ben Hur', `The Sound of Music', `The Wizard of Oz', `The Ten Commandments', and `Cinderella' box sets.

The three discs are housed in a fold-out, full-colour case, featuring publicity photos of Kelly and Reynolds, as well as various scenes from the film. The Blu-ray disc houses the main, an audio commentary, the original theatrical trailer, and an all-new documentary, while a DVD disc contains the film in standard definition. A second DVD disc houses all the supplements that were included on the 2002 special edition DVD release.


When this limited edition box set was announced, the price was $54.99. Then, it shot up to as high as $63.74, when it was finally released. I waited and waited, and now finally, the price has dropped to $48.49, which I immediately ordered. It proves once again patience is a virtue. A movie edition only blu ray disc is also available at a much cheaper price. For me, this limited edition box set is simply priceless. When it was compared to my previous much higher priced laser disc box set purchases, this price is simply a steal! This box set is very highly recommended for this enduring classic. Get it before it is sold out.

UPDATE (May 2, 2013):

Attention! The price has just dropped to $34.99. Wow! what a good price! It is definitely worth the price. If you like this movie, and like all the goodies (including the cute real umbrella, etc), buy it NOW before this 60% off sale is gone.
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on May 29, 2016
LA meilleure comédie musicale de tous les temps ! Il faut cependant l'écouter en anglais pour l'apprécier pleinement. Tout de «casting» est exceptionnel et citer un numéro/chanson plutôt qu'un autre serait une injustice. Je voudrais cependant exprimer une préférence pour un numéro et une comédienne: «Broadway melody» et la très belle et immortelle Cyd Charisse. En passant, il faut écouter les suppléments: les comédiens encore vivants ont certes vieillis, mais on sent encore chez eux la passion qui les a animé lors de la réalisation de cette merveilleuse comédie musicale.
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TOP 500 REVIEWERon February 12, 2015
Singing in the Rain(released Mar/52) stars,among others,Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen,Millard Mitchell and Cyd Charisse.This review is for the 2002 2-disc special edition.This is an excellent film,light hearted and full of energy with tons of memorable tunes from the American songbook.What really makes this edition are all the added features.More on that later,first let's get to the story.
The plot is light fun.Kelly is a star of silent films,and his co star Jean Hagen likes him alot,but the feeling is far from reciprocated.Soon after a party his studio boss had thrown which gave all the guests a sneak peak at the incoming new thing,sound,sound came in in a big way, and everything was thrown into chaos.The previous evening Kelly had snatched a ride with Reynolds trying to get away from adoring fans.She had no interest in films as she was too high hat.The night of the party Reynolds ends up being there,jumping out of a cake and being part of a group of chorines hired for the occasion.She and Kelly have a disagreement and Reynolds instead of connecting a pie on Kelly's face,ends up doing so on Hagen's pan.Reynolds flies into the night.
Kelly back at work three weeks later is still thinking about Reynolds,whom he hasn't seen since.It turns out Hagen had her fired,and Kelly is incensed.Kelly by coincidence soon finds her working on the studio lot in some minor production.They get reacquainted and end up falling for each other.The advent of sound is killing the studio at the box office and Kelly suggests that they turn their most recent production into a musical.That is great except his co star Hagen's voice is totally Brooklyn-ese.What to do? They end up overdubbing her voice with Reynolds.Reynolds is happy to do it at the start but soon tires of how Hagen treats her.At the screening of the film the audience asks Hagen to sing for them.Reynolds,one last time,sings behind the curtain while Hagen lip syncs.While O'Connor,Kelly and the boss are listening off stage,all three of them pull up the curtain and expose the fraud to one and all.As Reynolds runs out of the theatre,Kelly announces to all that Reynolds is the real star of the picture.The film comes to a close as the two stand in front of the now-new picture costar's movie sign....kissing.
I have always been more of an Astaire fan,but I consider this one Kelly's best film and most palatable,for me.It is high energy,full of wonderful songs and O'Connor,Reynolds and Kelly look and work exceptionally well together.It wasn't of course as sweet behind the scenes as it was in front but,hey that's show biz.Kelly's now immortal Singing in the Rain sequence and the trio's Good Morning routine are just two highlights.The famous or infamous jump cut when Kelly and Charisse are dancing is still there.The original footage still remains lost.
Technically speaking the film is in full screen a/r and is exceptionally clear and crisp.This is a marvelous transfer,the best I have ever seen the film look.Extras abound in this two disc set with special commentary,documentaries,stills,an outtake,and much more.
In conclusion for those who love this film,this is the best version yet put out.The picture is phenomenal,while the film itself is now considered one of the best musicals ever done.You'll love it.
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on August 20, 2001
5 Stars for the Musical 0 Stars for the DVD conversion. I can't say enough about the movie, I've loved it for years. However, this is one of the worst presentations of a Technicolor film available. It was as though the source media was an old faded copy that had the brightness turned up and color over driven to make up for it. Some scenes had the brightness so high it was dificult to make out the facial features of a sweet Debbie Reynolds. They should have presented it faded. Seriously consider waiting for a restored version.
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SINGIN’ IN THE RAIN [1952] [60th Anniversary Ultimate Collector's Edition] [Blu-ray + DVD Bonus Features] [UK Release] M-G-M’s Technicolor Musical Treasure! M-G-M’s Singing, Swinging, Glorious Feeling Musical!

Silent films are giving way to talking pictures and a hoofer-turned-matinee idol [Gene Kelly] is caught in that bumpy transition, as are his buddy Cosmo Brown [Donald O’Connor], prospective ladylove [Debbie Reynolds] and shrewish co-star Lina Lamont [Jean Hagen]. Rediscover the musical masterpiece. See ‘Singin’ in the Rain,’ in a dazzling, restored high definition, featuring an all-new documentary special feature that salutes not only just this all-time favourite film, but also the musical legacy of its producer and songwriter Arthur Freed.

FILM FACT: For her role as Lina Lamont, Jean Hagen was nominated for the Academy Award for Best Supporting Actress. The film was also nominated for a Best Original Music Score. Donald O'Connor won a Golden Globe for this film. Adolph Green and Betty Comden received the Writers Guild of America for the best written American musical.

Cast: Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen, Millard Mitchell, Cyd Charisse, Douglas Fowley, Rita Moreno, Dawn Addams (uncredited), Betty Allen (uncredited), Sue Allen (uncredited), Marie Ardell (uncredited), Bette Arlen (uncredited), Marcella Becker (uncredited), David Blair (uncredited), Chet Brandenburg (uncredited), Gwen Carter (uncredited), Bill Chatham (uncredited), Mae Clarke (uncredited), Dorinda Clifton (uncredited), Pat Conway (uncredited), Jeanne Coyne (uncredited), Fred Datig Jr. (uncredited), Bert Davidson (uncredited), Robert Dayo (uncredited), Patricia Denise (uncredited), Gloria DeWerd (uncredited), Marietta Elliott (uncredited), Betty Erbes (uncredited), Luigi Faccuito (uncredited), Ernie Flatt (uncredited), Robert Fortier (uncredited), Kathleen Freeman (uncredited), Lance Fuller (uncredited), Jeanne Gail (uncredited), Jack George (uncredited), Shirley Glickman (uncredited), Betty Hannon (uncredited), Joyce Horne (uncredited), Don Hulbert (uncredited), Patricia Jackson (uncredited), Ivor James (uncredited), Jimmy Kelly (uncredited), Joi Lansing (uncredited), Janet Lavis (uncredited), Virginia Lee (uncredited), Bill Lewin (uncredited), Sylvia Lewis (uncredited), John Logan (uncredited), Shirley Lopez (uncredited), Joan Maloney (uncredited), Paul Maxey (uncredited), Dorothy McCarty (uncredited), Ann McCrea (uncredited), Joseph Mell (uncredited), Sheila Meyers (uncredited), Gloria Moore (uncredited), Peggy Murray (uncredited), Sally Musick (uncredited), Anne Neyland (uncredited), 'Snub' Pollard (uncredited), Shirley Jean Rickert (uncredited), Joanne Rio (uncredited), Joel Robinson (uncredited), Joette Robinson (uncredited), Paul Salata (uncredited), Audrey Saunders (uncredited), William Schallert (uncredited), Betty Scott (uncredited), Brick Sullivan (uncredited), Harry Tenbrook (uncredited), Jimmy Thompson (uncredited), Dee Turnell (uncredited), Tyra Vaughn (uncredited), Tommy Walker (uncredited), Audrey Washburn (uncredited), Bobby Watson (uncredited), Chalky Williams (uncredited), Wilson Wood (uncredited), Norma Zimmer (uncredited) and Julius Tannen (Man in Talking Pictures Demonstration) (uncredited)

Directors: Gene Kelly and Stanley Donen

Producers: Arthur Freed and Roger Edens (uncredited)

Screenplay: Adolph Green and Betty Comden

Composers: Arthur Freed (lyrics), Nacio Herb Brown (music) and Lennie Hayton (uncredited)

Cinematography: Harold Rosson

Video Resolution: 1080p [Technicolor]

Aspect Ratio: 1.37:1

Audio: English: 5.1 DTS-HD Master Audio, French: 1.0 Dolby Digital Mono, Spanish: 1.0 Dolby Digital Mono, Portuguese: 1.0 Dolby Digital Mono, German: 1.0 DTS-HD Master Audio Mono, Italian: 1.0 Dolby Digital Mono, Czech: 1.0 Dolby Digital Mono and Polish: 1.0 Dolby Digital Mono

Subtitles: English SDH, French, Spanish, Portuguese, German SDH, Italian SDH, Czech, Danish, Finnish, Hungarian, Norwegian, Polish, Russian and Swedish

Running Time: 98 minutes

Region: Blu-ray: All Regions + DVD: Region B/2 [PAL]

Number of discs: 3

Studio: Warner Home Video

Andrew’s Blu-ray Review: ‘Singin' in the Rain’ [1952] is one of the most-loved and celebrated film musicals of all time from M-G-M, before a mass exodus to filmed adaptations of Broadway plays emerged as a standard pattern. It was made directly for film, and was not a Broadway adaptation.

The joyous film, co-directed by Stanley Donen and acrobatic dancer-star-choreographer Gene Kelly, is a charming, up-beat, graceful and thoroughly enjoyable experience with great songs, and lots of flashbacks, wonderful dances, including the spectacular Broadway Melody Ballet with leggy guest star Cyd Charisse, casting and story. This was another extraordinary example of the organic, 'integrated musical' in which the story's characters naturally express their emotions in the midst of their lives. Song and dance replace the dialogue, usually during moments of high spirits or passionate romance. And over half of the film is a 'let's put on a play' type of film, is composed of musical numbers.

This superb film, called "M-G-M's Technicolor Musical Treasure," was produced during MGM studios' creative pinnacle. From the late 1930s to the early 1960s, producer Arthur Freed produced more than forty musicals for M-G-M. The creative forces at the studio in the Arthur Freed Unit and composed of Arthur Freed, Vincente Minnelli, Stanley Donen, and actor/choreographer Gene Kelly also collaborated together to produce of other top M-G-M Musical classics.

The plot of the film is actually an autobiography of Hollywood itself at the dawn of the talkies. The story is about a dashing, smug but romantic silent film star and swashbuckling matinee idol Don Lockwood [Gene Kelly] and his glamorous blonde screen partner/diva Lina Lamont [Jean Hagen] who is expected, by studio heads, to pretend to be romantically involved with each other. They are also pressured by the studio boss R.F. Simpson [Millard Mitchell] to change their silent romantic drama ‘The Duelling Cavalier’ and make their first sound picture, renamed as the musical ‘The Dancing Cavalier.’ There's one serious problem, however the temperamental, narcissistic star has a shrill, screechy New York accent. The star's ex-song-and-dance partner Cosmo Brown [Donald O’Connor] proposes to turn the doomed film into a musical, and suggests that Don's aspiring actress and ingénue dancer-girlfriend Kathy Selden [Debbie Reynolds] dub in her singing voice behind the scenes for lip-synching Lina. The results of their scheming to expose the jealous Lina and put Kathy in a revealing limelight provide the film's expected happy resolution.

The film opens outside the famous Grauman's Chinese Theatre at an exciting 1927 Hollywood film premiere. It is Monumental Pictures' opening night for its latest romantic, black and white swashbuckler, The Royal Rascal, starring two successful silent film stars, Don Lockwood [Gene Kelly] and his leading lady, a beautiful blonde bombshell Lina Lamont [Jean Hagen] understudy for another quintessential, squeaky-voiced dumb blonde named Billie Dawn, portrayed by Judy Holliday in the Broadway production of ‘Born Yesterday’ and in the subsequent film ‘Born Yesterday’ [1950]. One of the fans in the crowd holds up Screen Digest, a fan magazine with Don Lockwood and Lina Lamont pictured on the cover with the story titled: "Lockwood and Lamont – Reel Life or Real Life Romance?" The tabloids exaggerate their relationship and presenting them as virtually engaged.

A Louella Parsons-like radio interviewer Dora Bailey [Madge Blake] announces the arrivals of all the stars. The first limousines pull up at the show with lesser stars and their escorts, as fans cheer, anticipating the arrival of the major stars. Finally, Hollywood's favourite romantic team/couple of silent films, Don and Lina, arrive and they are announced as "those romantic lovers of the screen." As they step out of their limousine, he is wearing a totally white, belted polo coat and white felt hat, and Lina has on a glittering light silvery-green gown and fur-collared stole. They are greeted with tremendous cheers from the fans, and the interviewer's words about the gorgeous couple: "They're a household name all over the world, like bacon and eggs."

Then, in flashback, he reminisces for the listening public, in exaggerated fashion, about his life story and rise to the top in show business. Don Lockwood [Gene Kelly] tells of his early pre-Hollywood days, dancing school, rigorous musical training at the conservatory of fine arts, and many performances with his vaudeville partner/musician Cosmo Brown [Donald O’Connor]. The narrative images on the screen belie every embellished, fabricated word he speaks in reality, the pictures and descriptions are terribly disjointed. [The film's theme is the 'out of sync' disjunction of words / sounds / film images from reality and what can be believed in the magical world of film? Can we believe our eyes and our ears?] What actually happened to Cosmo and Don is seen entirely differently as an uphill struggle for two musicians/performers.

Enter vivacious flapper Kathy Selden [Debbie Reynolds], who Don Lockwood meets by chance one evening after he flees a flock of rabid fans. The spunky Kathy Selden isn't intimidated by Don Lockwood's aura, and he quickly becomes smitten. The jealous Lina Lamont, however, much to Don's chagrin, tries to shoot down Kathy Selden's rising star, just as the advent of talkies turns the movie industry upside down and puts the career of squeaky-voiced Lina Lamont in jeopardy. But Don Lockwood, his best pal Cosmo Brown [Donald O’Connor] and Kathy Selden hatch a plan that just might work to everyone's ultimate advantage. Or will it?

Though the script makes good-natured fun of a host of Hollywood foibles from splashy premieres, backstage backstabbing, and oversized egos to stuffy elocution experts, creative short-sightedness, and performer stereotypes at its core, 'Singin' in the Rain' is a sweet, naive love story played with winning earnestness by Gene Kelly and Debbie Reynolds. Forget the 20-year age difference; the pair crafts a believable relationship that's heightened by one of Gene Kelly's most relaxed and natural performances. At times, Debbie Reynolds might seem a tad too vivacious, but the game 19-year-old never seems daunted by her co-stars or overwhelmed by their substantial terpsichorean talent. As the wisecracking sidekick, Donald O'Connor garners his share of laughs, but it's Jean Hagen's priceless Lina Lamont who all but steals the show. Jean Hagen was a good dramatic actress, but her peerless comic timing, inflection, and no-holds-barred, over-the-top portrayal of the dumb, delusional, yet devious diva justly won critical raves and a Best Supporting Actress Oscar nomination.

The rollicking “Good Morning,” featuring more great tap-dancing and impish clowning, is a winner, too, as is the sprightly Gene Kelly and Donald O'Connor duet “Fit as a Fiddle” and the quietly amorous “You Were Meant for Me.” And we surely can't forget the sensational “Broadway Ballet.” A shorter, more accessible, bouncier dance montage than Gene Kelly's opulent 'An American in Paris' ballet a year earlier, this jazzy, sexually charged, yet passionately romantic creation features Gene Kelly dancing with the exquisitely sleek and precise Cyd Charisse. The fireworks between them are extraordinary, and the pair burns up the screen in a sizzling mini-drama of seduction set to “Broadway Rhythm.”

'Singin' in the Rain' has no message or moral beyond love conquers all or good triumphs over evil, and it didn't advance the art of musical moviemaking. Gene Kelly and his co-director, Stanley Donen, writers Betty Comden and Adolph Green, the accomplished cast, and the M-G-M dream factory merely take the traditional musical blueprint and produce the ultimate offering, a film whose sole purpose is entertainment and singular goal is to send its audience walking home on air. And it succeeds brilliantly on both counts. The lack of pretension, mystifying talent, and sheer joy that emanate from every frame of 'Singin' in the Rain' are what make this beloved film so tremendous and so worthy of repeat viewings. Is it the greatest musical ever made? Yes of course it is and I will not have any negative comments saying it is not darn close.

Blu-ray Video Quality – 'Singin' in the Rain' was the first Warner film to be restored using the Ultra-Resolution process back in 2002, and the results were extraordinary. The re-master Blu-ray, however, didn't meet high-definition standards, so for this Blu-ray edition, the studio went back to a set of fine grain masters, the original negative was destroyed in a fire in the late 1970s and struck a 4k scan. Once again, the results are often breath-taking high-definition transfer and 'Singin' in the Rain' looks spectacular. Colours, contrast, and clarity are all totally superb. And what glorious colours they are! Designer Walter Plunkett went the extra mile replicating the outlandish flapper outfits of the late 1920s, and the purples, pinks, emerald greens, and sunny yellows truly pop. Sequins, fringe, and feathers are also beautifully defined, and difficult patterns, such as the green and white plaid suits that O'Connor and Kelly don in the 'Fit as a Fiddle' number, are rock solid and resist shimmering. Kelly's yellow vest and Syd Charisse's sparkly green mini-dress in the “Broadway Ballet” add pleasing accents to the picture, as do all the costumes of the dance extras, each of which possesses its own distinct sense of retro style. Black levels are rich and inky, but crush is never an issue, and whites, such as Hagen's outfit in the opening premiere segment, are bright but stable. Flesh tones lean a bit toward the ruddy end of the scale in certain scenes, but on the whole are true to life. Background elements are always easy to discern (the all-important rain is brilliantly clear, with individual drops possessing more clarity than ever before), and close-ups ooze Hollywood glamour without appearing overly artificial. Some scenes look a shade softer than others, but the gradation is so slight, most eyes won't even see it. Warner Home Video has always been careful to present classic films as close to their original look as possible, and with 'Singin' in the Rain' they've done a first-class job. We've waited a long time for this title to be released on Blu-ray, and our patience hasn't been in vain.

Blu-ray Audio Quality – Warner Home Video also has done a great job fashioning a high-quality 5.1 DTS-HD Master Audio mix for this musical classic. 'Singin' in the Rain' was produced before the advent of stereo, so naturally most of the sound is front-based, but the fidelity and tonal depth are so crisp and warm, there's a marvellous surround feel to this track. A wide dynamic scale, featuring bright, crystalline highs and weighty lows, maximize vocal and instrumental intensity while showcasing subtleties with ease. Both Debbie Reynolds' brassy delivery and Gene Kelly's delicate tenor come across cleanly, and the “Broadway Ballet” scoring is alternately vibrant and nuanced, as screaming trumpets and swelling strings fill the room without a hint of distortion. Atmospherics, such as the pouring rain, street noise, and the film set ambience, are solid, too distinct, but not overpowering and every toe tap is crisp and synchronised. The audio in the early talkie sequences is especially well balanced, possessing the appropriate degree of roughness without delving too far into caricature. The clanking of Lina Lamont's pearls, and the clomping of footsteps, and the general imperfections of rudimentary sound recording, such as static, hiss, pops, crackles, are all meticulously rendered. Thankfully, no age-related defects afflict the rest of the picture, as Warner technicians have scrubbed this track clean. Dialogue is always well prioritised and easy to comprehend, as are song lyrics, and the musical sequences benefit from a slight level boost that enhances the excitement and vigour of each number. For a 60-year-old film, 'Singin' in the Rain' sounds surprisingly contemporary, and those who appreciate Golden Age Musicals will be thrilled by this track. If like me, you own the Ultimate Collector's Editions of 'The Wizard of Oz' in 3D, you will be familiar with the scope and size of this Limited and numbered 60th Anniversary package is simply illustrated with a white box cover that lists specs and supplement info. Inside lies a full-size, beautiful 48-page, lavishly illustrated hardcover book that features many rare photos, shooting logs, and well-written text. The film's production history, brief bios of the principals and key supporting players, a behind-the-scenes look at many of the film's numbers, and a list of both changes to the script and deletions after the picture's previews are all included within the pages of this absorbing and beautifully designed volume. The 3 discs are housed in a fold-out, full-colour blue case, and on the back it features publicity photos of Gene Kelly and Debbie Reynolds, as well as various scenes from the film. The Blu-ray disc houses the main feature in a beautiful encoded 1080p image with a 5.1 DTS-HD Master Audio track, an audio commentary, the original theatrical trailer, and an all-new documentary, while a Region B/2 DVD disc contains the film in standard definition. Plus included is the ‘Singin’ in the Rain’ Original Motion Picture Soundtrack Compact Disc with 26 amazing tracks.

Blu-ray and DVD Special Features and Extras:

Audio Commentary: Here we get Debbie Reynolds, Donald O'Connor, Cyd Charisse, Kathleen Freeman, Stanley Donen, Betty Comden, Adolph Green, Baz Luhrmann and Rudy Behlmer: Sometimes with an audio commentary, too many cooks spoil the broth but not here. Debbie Reynolds "hosts" this highly interesting conglomeration of reflections and analysis by co-stars Donald O'Connor and Cyd Charisse, co-director Stanley Donen, writers Betty Comden and Adolph Green, featured player Kathleen Freeman, director Baz Luhrmann, and film historian Rudy Behlmer. Sadly, many of the participants have passed away since recording this discussion in 2002, but it just makes us more appreciative with this audio record exists at all. Betty Comden and Adolph Green talk about the difficulty of fashioning a film around the Arthur Freed and Nacio Herb Brown musical catalogue; Donal O'Connor recalls how his classic 'Make 'Em Laugh' number came together; Rudy Behlmer relays a cornucopia of fascinating facts, including abandoned numbers and concepts, the proposed casting of Oscar Levant as Cosmo Brown, and how the film's original nitrate negative was destroyed by fire; and the rest of the participants share fond memories of Gene Kelly and Arthur Freed. My only complaint is that Debbie Reynolds barely contributes, other than to introduce the various speakers. Why aren't her memories worthy of more air time? Other than that small gripe, this is a first-class commentary that's well worth the time of fans and newbies alike.

Special Feature Documentary: Singin' in the Rain: Raining on a New Generation [1080p] [51:00] This all-new documentary includes comments from such contemporary musical figures as Matthew Morrison, Paula Abdul, Rob Marshall, Adam Shankman, Usher, and Baz Luhrmann, among others, all of whom reflect on their personal experience with the iconic film; discuss its wide-ranging influence, inimitable style, and amazing choreography; salutes Gene Kelly, Debbie Reynolds and Donald O'Connor; and marvel over the spectacular numbers. Interestingly, the film clips used in this breezy, somewhat superficial piece look rather banged up. Why the restored footage couldn't have been inserted instead remains a mystery.

Special Feature: Juke Box Jump-to-Song Feature: This handy feature allows 'Singin' in the Rain' fans to access their favourite musical numbers with a remote click. You can create custom playlists or use the "play all" button for a stimulating concert.

Theatrical Trailer [4:00] This is the original preview for 'Singin' in the Rain' is included.

Special Feature: Musicals Great Musicals: The Arthur Freed Unit at M-G-M [1996] [86:00] This absorbing, clip-filled 1996 documentary is part of the 'Great Performances' series on PBS which salutes arguably the finest producer of movie musicals in the history of cinema. Many dignitaries, such as dancer Cyd Charisse, actor Mickey Rooney, composer Andre Previn, choreographer Michael Kidd, writers Betty Comden and Adolph Green, dancer Ann Miller, director Stanley Donen, actress Leslie Caron, and others recall the man, his method of assembling talent, how he transformed a pedestrian genre into a bona fide art form, and his distinctive film creations. A marvellous array of excerpts from such classics as 'The Wizard of Oz,' 'Meet Me in St. Louis,' 'An American in Paris,' 'The Band Wagon,' 'Gigi,' and of course 'Singin' in the Rain,' among many others, illustrate Arthur Freed's artistry and further cement his already lofty reputation. Musicals fans will be enthralled by this balanced, involving tribute.

Special Feature: Nacio Herb Brown and Arthur Freed Film Excerpts: Where the Songs Originated [50:00] I'm a sucker for film musical history, so this collection of a dozen original performances of Freed-Brown songs used in 'Singin' in the Rain' from various movies of the 1920s and 1930s is right up my alley. Stars such as Bing Crosby, Eleanor Powell, Judy Garland, Mickey Rooney, and Jeanette MacDonald perform the numbers. There are some real rarities here, so classic film buffs should definitely check this line-up out. Composer Nacio Herb Brown [1896-1964] and lyricist Arthur Freed [1894-1973] started writing songs together in 1921. When sound came to motion pictures in 1927, the pair were doing a series of small stage revues at the Music Box Theatre in Hollywood. M-G-M immediately signed them up, taking one of the songs, ‘Singin’ in the Rain’ and featuring it in the early movie musical ‘The Hollywood Revue of 1929.’ Nacio Herb Brown and Arthur Freed continued on staff at M-G-M through the 1930s, with song hits including “All I Do is Dream of You,” “Temptation,” “You Are My Lucky Star,” “Broadway Melody,” “Pagan Love Song” and “You Were Meant for Me.” In 1939, Arthur Freed served as an associate producer of M-G-M’s ‘The Wizard of Oz,’ during the production of which he convinced studio head Louis B Mayer to put him in charge of a division to produce movie musicals. The Freed Unit made such classics as ‘Meet Me in St Louis,’ ‘An American in Paris,’ ‘The Band Wagon’ and ‘Gigi.’ Most popular of all was the 1952 film ‘Singin’ in the Rain,’ with a score featuring songs from the early Nacio Herb Brown Brown-Arthur Freed catalogue.

Special Feature Documentary: What a Glorious Feeling: The Making of 'Singin' in the Rain' [2002] [36:00] Debbie Reynolds also hosts this 2002 behind-the-scenes chronicle and produced for the film's 50th Anniversary. Though many of the comments by Donal O'Connor, Betty Comden and Adolph Green, Stanley Donen, Rudy Behlmer and others also are included in the audio commentary, this is still a fresh and informative piece. It also offers us the chance to hear Reynolds share her memories of working on the film and her fondness for her legendary co-star and the valuable lessons he taught her.

Special Feature: You Are My Lucky Star: Musical Number Outtake [4:00] This solo number by Debbie Reynolds, strangely reminiscent of Judy Garland's “Dear Mr. Gable (You Made Me Love You)” from 'Broadway Melody of 1938,' was cut before the film's release. It's in fine shape here, but it would have been nice if Warner Bros. had re-mastered it in high definition for this release.

Special Feature: Scoring Stage Sessions: This audio vault houses 26 pre-recordings of musical material from 'Singin' in the Rain,' including unused versions and drafts that were altered before filming.

Special Feature: Stills Gallery: Eighteen images, all in black-and-white, and are a mix of candid publicity shots, costume sketches, hair and makeup tests, and behind-the-scenes.

BONUS CD: Includes the ‘Singin’ in the Rain’ Original Motion Picture Soundtrack Compact Disc with amazing 26 tracks.

BONUS Plus: A beautiful designed 48 Page commemorative booklet highlighting the behind-the-scenes history of how the classic musical made it to the big screen

Finally, what a glorious feeling! 'Singin' in the Rain' at last arrives on Blu-ray and Warner Home Video honours this immortal musical with a fitting ultimate collector's edition that features eye-popping video, excellent audio, and a shower of high-quality extras that will thrill the film's legion of fans. While the enclosed collectible umbrella is an unnecessary bit of swag, the rest of this marvellous set hits the bull’s eye and is well worth the interminable wait, as well as the hefty price tag. Certain classic films demand the red-carpet treatment like 'The Wizard of Oz' lead the charge and 'Singin' in the Rain' is one of them. Filled with humour, great songs, spirited performances, and some of the best dancing you'll ever see on film, this musical icon remains fresh and exhilarating 60 years after its initial release, and demands a spot on every cinema lover's shelf. You'll walk down the lane with a happy refrain every time you experience 'Singin' in the Rain,' especially in stunning awesome encoded 1080p image and one more reason this set is a definite must-own! And that is why it has gone great honours to now be added to my other Gene Kelly and massive awesome Hollywood Magic Musical Blu-ray Collection. Very Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Fan
Le Cinema Paradiso
WARE, United Kingdom
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TOP 1000 REVIEWERon July 20, 2012
Something important is missing from this 60th anniversary bluray box set: a digital copy. This is why I would rather have given this product 4.5 stars instead of 5. When someone spends the money on a collector's bluray set, they should expect to see a digital copy option included. I would have loved to have uploaded the movie onto my iPad because Singin' In the Rain is one of my absolute favourite movies and I would love to have the option of watching it anywhere, at any time (especially while traveling be it on an airplane, train, or subway).

Besides the obvious omission of a digital copy, the actual box is filled with Hollywood goodness! I especially loved the inclusion of an umbrella (cute idea)! I don't know if I'll actually use it though because it might be something I want to save and hold on to. The hardcover book is filled with plenty of new information about the film and is covered with both colour and b&w shots of the cast and crew filming this iconic movie back in 1952.

Singin' In the Rain looks FANTASTIC on the new bluray release and I'm so glad that Hollywood has finally given this film its due in terms of product quality and hype. I couldn't have asked for a better product release (well, except for the missing digital copy of course lol).
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on July 12, 2004
"Singin' in the Rain" is the definitive Hollywood musical, and charms and delights our 21st century audiences despite the (very few) characteristics of the genre that don't hold up quite so well.
There are so many high points to this movie -- the amazing cast, the songs, the choreography, and, most surprisingly, the satirical send-up of Hollywood and the "star system."
The plot is well-known. Silent film star couple, Don Lockwood (Gene Kelly, who also co-directed with Stanley Donen) and Lina Lamont (Jean Hagen) are America's sweethearts. At a Hollywood premiere of their latest romance, breathless fans ignore sidekick Cosmo Brown (Donald O'Connor, in perhaps the best sidekick performance in film history) and scream in delight as Lockwood and Lamont pander to their adoration. Nobody, however, seems to notice that the gorgeous Lamont never speaks . . .
Her imposed silence Lamont has a voice that recalls a cat with its tail caught in a wringer, although Lamont is such a "dumb blonde" (bless Hagen -- nobody ever played this stereotype better!) that she is blissfully unaware of her screech. No matter, 'cause it's the silent film era, right? Wrong! Progress brings in "The Jazz Singer" and the era of "talkies." No longer will clever staging of press events suffice.
Soon, Don Lockwood is staring career meltdown in the face as the first Lockwood-Lamont "talkie" sends the audience into hysterics. Not only is Lamont's screech audibly offensive, they can't keep the sound synchronized to the film, and the sound editing even when in synch is as amateurish as a high-school film production.
What to do? Fortunately, Lockwood had fallen for young, beautiful Kathy Selden (a teenage Debbie Reynolds), a starlet in the making. Cosmo comes up with the idea of dubbing Selden's voice for Lamont's, and all is fixed . . . or not. Lamont, an imbecile but smart enough to know her value, insists on ruining Selden's career to preserve her own . . . and so on and so forth.
The plot, ingenious as it is, is really secondary. The main delight in this movie is the amazing dancin' and singin' that the performers offer up. While most of it is pretty silly, campy stuff (particularly the Kelly-O'Connor set pieces), they simply dazzle. Kelly is the most robust, athletic dancer of his generation, and O'Connor, well, the man doesn't have a bone in his body. While the movie's most famous scene comes from Kelly splashing in puddles during the title track, the most amazing dance number has to be O'Connor's comic flailings in "Make 'Em Laugh," where he runs up walls, flirts with a mannequin, and generally pulls out all stops.
Debbie Reynolds does a magnificent job keeping up with these two giants, and is generally a pleasure to watch, even though she's clearly outclassed as a hoofer.
While some great old films seem to get better with age (think "Casablanca," "Gone With the Wind," and "Citizen Kane"), "Singin' in the Rain" is an American classic that does not hold up quite so well in some minor respects. For example, when breaking into choreographed step, Kelly, O'Connor, and Reynolds sometimes appear too rigid, with smiles frozen on their faces, which is incongruous to those raised on more modern musicals like "Moulin Rouge," where the dancers take a more naturalistic, emotional approach to their dancing. The dancing in "Singin'" holds up, but the performers were constrained by the expectations of their audiences, which somehow demanded that the performers "look pleasant" while dancing.
Still, "Singin' in the Rain" remains one of the best tonics to a foul mood ever . . . I defy you to watch this movie and not feel a smile creeping over your face.
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on March 22, 2004
Singing in the Rain. One of the best musicals Hollywood has ever given us, starring Gene Kelly, Donald O'Connor, Debby Reynolds, and Jean Hegan in what might be the best performances of their lives.
It's about Hollywood it the time when sound pictures were just coming into focus. Enter Don Lockwood, an silent screen star who doesn't take show biz too seriously, and Lena Lemont, who is a beautiful actress but has a high-pitched, screechy voice and has the mistaken idea that Don is heads over heels in love with her, which he is most emphatically not.
Add to that Cosmo Brown, Don's sidekick who is smart as a whip but prefers to be a comedian and Kathy Seldon, a pretty dancer who is tugging at Don's heartstrings.
Then add to all that the fact that sound pictures are all the rage but Lena ruins every one that she's in because of her voice, and throw in some wonderful songs, and you have the makings for a fantastic movie that is well loved made
The songs in this movie are some of the best I've ever heard, including "Make 'em laugh" with Donald O'Connor, "You were meant for Me" with Gene Kelly and Debbie Reynolds, and of course, "Singing in the Rain" with Gene Kelly.
When watching the movie, it's almost impossible to realize that it was make just to string together a bunch of songs, and the script was built around them, and that Gene Kelly did the number "Singing in the Rain" with a tempeture of 107.Imagine what it would have looked like with him feeling 100%!
Of course, every movie has its faults, and this one is no exception, but the good parts make up for the bad ones. But that's just my opinion. You really need to see this movie for yourself, and then you'll know what I'm talking about. But I promise you will not be disappointed.
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