on November 7, 2015
One of the better John Carpenter movies. Great special effect considering this before the fake looking digital effects of most movies today. The way the car would destroy itself or return back to form was done exceptionally well considering its all real, no digital effects. Even though this a DVD, not a Blu-ray, it has been re-mastered for high definition and the quality was very good. Definitely one of the better quality re-mastered DVD's that I own. Great period music! Never read the King story so can't compare it to that but a good and complete story. Some of the actors playing the senior high school students seem a tad old but other than that good acting all the way trough. When you think about it there isn't anything much scarier that a car that's possessed. That's 2000lbs of taking no crap from anybody.
Extra features include commentary by Carpenter, Filmographies and deleted and altered scenes. Didn't look at any of these so can't say anything about them.
Print quality and sound are very good on the new BluRay. The only part of the movie that rubs me wrong now is the dreadful bad language -- never noticed in when the movie came out, but wow it makes me feel uncomfortable if I'm showing it to people. The beautiful cars are the stars of this movie .. one of my favorites growing up.
on February 2, 2016
Enfin en bluray. Je regarde se film une fois par année et j'aimerais qu'il en fasse un nouveau film avec une voiture diabolique puisque je connais seulement 2 films avec une voiture diabolique. Christine et The Car fait en 1977.
on October 12, 2015
the Twilight time blu-ray of Christine is long out of print
and the cost to buy a copy is close to $100 or more, so don't bother with it
the U.S. branch of Sony/columbia pictures
has finally released their blu-ray of John carpenters Christine
i bought myself a copy the day it was released to buy at a very affordable price $14.90, not the ridiculous Twilight time price
and i tell you the cost was worth it
the HD transfer looks beautiful, very nice sharp & clear picture quality in 2:40:1 hardly no Grain or Dirt
sony/columbia made the effort with this film
plus the sound quality has been boosted to a new 5.1 master audio mix which sounds excellent
much better than the old dvd version which had Dolby 5.1
plus all the special features, i mean all of them from the old special edition dvd
have been carried over to this new blu-ray version
you get all 3 featurettes, CHRISTINE: IGNITION, FAST AND FURIOUS, FINISH LINE
plus all the Deleted scenes with optional commentary by John carpenter
plus the old dvd commentary by Carpenter and Keith Gordon
plus stills Photo gallery, TV spots, original trailer
all on one Blu-ray Disc, incredible!
so for all those fans who missed out buying the Twilight time blu-ray
just buy this new U.S. edition of the film which is ALL REGIONS by the way
much more affordable than the sold out Twilight time blu-ray
5 stars for the film, 5 stars for this new blu-ray version
on March 26, 2004
Arnold Cunningham (Gordon) finds just that car, which happens to be Christine. It's broken down, rusted and in overall poor condition when he sees it, but he doesn't care. He is going to own this car, and nothing is going to stop him. He spends his college money he's been saving over the summer to fix her up, and in a relatively short time Christine is back up and running.
Shortly after getting Christine, Arnold starts changing from the nervous unsure nerd into someone who has a lot of confidence. He even loses his glasses, and starts dating the new student Leigh Cabot (Paul), tagged by the other high shool guys as the most beautiful girl in school. Christine has a symbiot relationship with her owners, where each draws from the love they have for each other. Of course, owning Christine is destructive, as even a mild-mannered kid like Arnold is seduced by the car's evil, eventually not caring who gets hurt when it comes to Christine.
The school is populated by all the same kids you went to school with if you were in high school in the early eighties, like me. The jocks, the nerds, the toughs (Ostrander's Buddy Repperton) and the tough's click of groupies, who feed off his energy. Strangely, just the same type relationship that Christine has with her owners.
The writing is really good, especially the scenes where the high schoolers are interacting with each other. Took me right back to my own high school days. The music is also extremely effective, although the music composed for the movie is very reminiscent of the music for HALLOWEEN. The best part of the music for me, though, is how the music that Christine plays fits the action that is currently happening. One of my all-time favorite movie soundtracks.
There have been a lot of "killer car" movies, including THE CAR, KILLER CAR, MAXIMUM OVERDRIVE and even KILLDOZER. But none of them have the magic that CHRISTINE pulls off. While there have been some good movies in this sub-genre, the ones I've seen aren't as good. I think it's due to the source material of Stephen King's novel (in which Cristine was a 4-door) and Carpenter's direction. Combined, it turned out an excellent movie.
Th effects are also very well-done. Especially the scene where Christine basically rebuilds herself. It was done with prefabbed balloons, but unless you really look for it, you can't tell. And the scene where a flaming Christine chases one of the toughs down the road is a shot that was also extremely well done.
on October 29, 2015
King's books frequently don't translate well to the silver screen. This movie tries very hard to overcome that stigma. "Christine" does well, but the book is far scarier. Perhaps having read the book a few times has poisoned my view of the movie. Somehow the terror that Stephen King so artfully creates with words just hasn't translated well on the big screen. I still like the movie though, and will watch it again some quiet night when I need a little spark in my entertainment.
on March 16, 2004
This is "John Capenter's" Christine--not Stephen King's Christine. The film takes the basic idea of the film much the same way Kubrick took the basic idea of the Shining and made it his own. While the book is better--a book is a book and a film is a film. There was no way at the time that John Carpenter could've staged the scenes with Christine back in 1983. Even now the budget would be huge. I'm speaking of Darnell's death and the death of Buddy out on the icy roads. John Carpenter may not be fond of this film but he should be--it's one of his last films that looked and felt like a "John Carpenter film." The cinematography is fantastic, the music is classic Carpenter music, and it's pretty well acted. It may not be the most frightening King adaptation but it's one of the best directed (technically) and one of the best photographed. All in all it's one of Carpenter's best; after all it is his version of the book. Changes aside, it's well worth the viewing considering the mindless, no-talent crap that passes for horror these days at the cinema.
on March 18, 2004
John Carpenter's CHRISTINE (1983) is teenage horror/suspense in the fine tradition of CARRIE. Like the aforementioned (and superior) classic, it involves an introverted teenage outcast who is ruled by an iron fist at home, is bullied endlessly by mean-spirited jerks, and destroys them with supernatural powers that are understood only by the protagonist. In that same tradition, however, our hero loses control over her/his powers and is eventually destroyed by them. That's the basic formula in a nutshell. However, before you can shout, "Ripoff!" let it be known that CHRISTINE gives us a unique treatment of the same basic theme, and ends up being a complete story that is unique, well-paced and suspenseful in its own right. Plus, it also has terrific acting.
Keith Gordon, as the nerdy Arnie Cunningham whose personality is transformed by the titular red 1958 Plymouth Fury that he buys in order to help win the attention of Leigh Cabot (the winsome Alexandra Paul), is brilliant and spellbinding in his portrayal of this very fragile character. His slow but steady descent into revenge, cruelty and madness is especially intriguing; he goes from being a very sympathetic character in the first half of the film to a complete raging sociopath by its end. Psychologically, his transition from shy doormat to dangerous monster is perhaps even more frightening than Carrie White's parallel metamorphosis; Carrie lost everybody who was--or whom she thought was--on her side, but Arnie ends up losing his soul.
In addition to Keith Gordon's terrific performance, we have John Stockwell as Arnie's best friend Dennis, who unsuccessfully tries to keep Arnie from going off the deep end. Also in a memorable supporting role is the venerable Robert Prosky, going totally against type to play the grouchy, scruffy, foulmouthed auto-body shop owner Will Darnell. Although the wonderful veteran character actor Harry Dean Stanton appears in this film, he is very much wasted in the thankless role of Detective Rudolph Junkins, whose only function is to show up every once in a while to ask Arnie some suspicious questions after someone gets offed. (It is of note that the future Mrs. John Travolta herself, Kelly Preston, has a bit part as well.)
CHRISTINE may not be the best Horror film ever made, but I do think that it's one of the best. The story is extremely interesting and really hooks you from the first scene onwards. In addition to the acting, the editing is first-rate; indeed, it is so good that the premise of a possessed and evil car actually looks believable! Then there is the music: 50's Rock 'N' Roll makes up the most of the soundtrack, although George Thorogood's early-80's classic "Bad To The Bone" is used to good effect. The car's radio is practically a character-within-a-character, and is used so effectively that the first sound of it inspires a real sense of danger. Of course, John Carpenter has to be fully commended for a great job in bringing Stephen King's vision to life on the screen.
HIGHLY RECOMMENDED FOR HORROR FANS
on December 27, 2003
Stephen King movies have always been spotty. You get some good ones going, and mediocre to bad ones immediatley come along. It goes back and fourth. This film adaption of King's book of the same name is somewhere between 'okay' and 'pretty decent'. I read the book 8 or 9 years ago and haven't read it since, so my knowledge of the differences between the book and this movie is practically non-existent. What I do know is that this film adaption is a fun little thriller, but is far away from being the best film adaption of a King work, or being near the best of the film's director and composer, John Carpenter. The film centers around young, geeky Arnie Cunningham, who is played by Keith Gordon, who is known for his victimized teen in "Jaws 2", the son of Angie Dickinson in "Dressed To Kill", and the collegiate son of Rodney Dangerfield in "Back To School". Arnie is the classic dork. Dark Buddy Holly glasses, poor wardrobe, bad hair, and an unfortunate physique. It doesn't help any that he is also under his parents' iron thumb. He spots a beat up old car one day while out with his best friend Dennis Gilder(John Stockwell), and buys the car on the spot from the creepy old man who was selling it. Dennis tries to talk him out of it, and his parents even more so, but an upset Arnie keeps it and stores at the auto body shop Darnell's, the namesake played by veteran actor Robert Prosky. But the car, named Christine, has a mind of it's own and it's possession of Arnie soon takes hold. He thinks of nothing but the car, stands up to his parents, starts doing his hair different and stops wearing glasses and nerdy clothes and begins dating the cutest girl in school Leigh Capp, who is played by future "Baywatch" star, Alexandra Paul. And when people and bullies get to Arnie, Christine takes care of them all with her special brand of possessive love. Can Dennis and Leigh save Arnie before it's too late?. You'll have to watch to see. Carpenter is a master at fine suspense and thriller, and while this 1983 effort isn't overly scary, he still manages to supply some of his trademark Carpenter creepiness into a number of scenes. Most of which having to do with Christine's midnight jaunts of horror and mayhem. Things are also given the right mood by Carpenter's subtle, but yet eerily effecting score he keeps playing to the right degree in the background. Keith Gordon is the best of the bunch. He really delivers a contained and realistic performance of a high school nerd dealing with the pressures of every day life that range from strict parents, to bullies in the school hallways, and to generally being a social outcast. He impresses the viewer further when the transformation takes place and gets stronger, more bolder, and grows a back bone. Good job. The rest are all solid enough, especially Prosky, and Harry Dean Stanton who appears in a surprisingly small role as a detective, but it is Gordon that owns the movie and makes the biggest impression. Stockwell is a very likeable presence and has a nice charm to him, but Alexandra Paul is barely given enough time to become a character and before you know it she is already involved with Arnie and the crisis that ensues. One of the film's best assets is the use of old time rock and roll that is peppered throughout the movie. George Thorogood's "Bad To The Bone" is especially perfect for the nature of the film. And while I have given mostly good things to say about the film, it isn't without it's flaws. The biggest question, and biggest flaw, that never got answered was how Christine got to be the kind of car she was. Maybe it was in the book and I can't remember or I just missed something, but why not give a little explanation as to why the car was possessed?. Besides all that, the film is solidly put together into a pretty okay package that would certainly be fun for a nostalgic trip back to early 1980's terror.
on December 12, 2003
The teaming of horror titans, director John Carpenter and author Stephen King, could have been something really special. Instead, it can only be described as just ok, thanks in large part to a few problems behind the scenes.
Based on King's novel of the same name, Christine tells the story of a geeky high school student, Arnie Cunningham (Kieth Gordon). He has very few friends, low self esteem, and is a zero with the ladies. Indeed, the only thing he can count on is his car. A total wreck at first, Arnie gets more then he thought possible, after the car is repaired. With a history of death and destruction, the car takes on the job of protecting its owner from anyone or anything that stands in his way.
Carpenter has said publically that he isn't too fond of his efforts on Christine. It shows... Script issues and production limits hampered the film a bit as compared to the book. While I would say that the film has its share of missteps, thanks to a solid lead performance and plenty of Carpenter's trademark cynacism and anti-authority sebtext, still make it watchabble. The "death" scenes are well staged and may I say, even fun.
Given the movie's history, I can understand why the extras on the DVD are slim, but it would have been nice to see the original theatrical trailer at least. Instead, all you do get are paltry production notes and cast bios, and the option of watching the movie in either the widescreen or fullscreen formats.
Not one of Carpenter's best, to be sure, but still worth a look.