on April 19, 2004
Ever since The Sixth Sense there has been a bizarre desire in Hollywood to make an attempt at some sort of twist ending in every film. Sometimes the twist can work out quite well, like in the Others, but other times the twist ending is so moronic and insulting it ruins the previous good parts of the movie. Well guess what happens here? Another awful plot twist.
The movie, until the twist, is a somewhat suspenseful and creepy reinvention of the slasher genre. Even so, it still falls for all of the old clichés (there always has to be a hooker in these films for some reason) and you could time an oven by the rate at which characters are killed (one every nine minutes) This is easy to overlook as surreal coincidences and events seem to be foreshadowing that some sort of supernatural power is somehow involved in the killings.
Then the plot twist happens. Not only is everything that happens in the movie meaningless, but every character turns out to be imaginary. That's right, the big twist is that the whole movie is a battle between multiple personalities in some fat guy's head. I had no idea the subconscious of a crazy person was so rainy.
on April 16, 2004
In "Adventures In The Screen Trade" Bill Goldman tells a story about the moment in "The Great Waldo Pepper" where the audience turned on the film, and began to hate it. Once a film loses an audience in a way that makes them hostile, it's impossible to get them back. And so it was with me, and "Identity".
Without giving away spoilers it's a little hard for me to describe exactly what it is about this movie that I disliked so intensely, but at its heart my problem is with the central contrivance of the script, which becomes apparent about 20 minutes into the film. The film asks the viewer to speculate on what might or might not be real. The problem with this as a plot device is: if it's not real, do I care what's going on? Superior writers manage to overcome this (for example, Charlie Kaufmann does a pretty bang-up job most of the time with completely unreal scenarios, but it doesn't matter because the purpose of the unreality is to focus the viewer on something else that's important, although he likewise came unstuck in the third act of "Adaptation" for the same reasons). The problem in "Identity" is that the script revolves around trickery that ultimately serves no purpose. If nothing is as it seems, and the characters aren't particularly likeable, and none of this is going toward any larger view, what the heck is the point? "Identity" becomes a very irritating exercise in style. Unfortunately it's not that stylish.
The cast can't be faulted - all excellent. And the direction is fine. What a pity the script is so awful. I truly loathed this film.
on April 15, 2004
Identity is one of my favorite movies of recent time. I remember it fondly when I went to see in the theaters and left there absolutely shocked, but in a good way I was so surprised at what I had just seen. Now this movie is not for everyone, if your idea of thrills come from say Friday the 13th where it's just slash and kill slash and kill then Identity is probably not for you (not that there is anything wrong with slasher flicks of course) Identity is a psychological thrillers where you have to pay attention for almost the entire movie or you are going to be clueless as to what is going on, I think a comparison can be drawn to the movie Se7en, you have to pay attention. The movie drew me in right from the start and never let go.
Story: A group of different people wind up at a run down motel in rainstorm and eventually people start dying. There doesn't appear to be any link to the strangers until they find out that they all have a common link John Cusak is really good in his role and I found a new bit of respect for Amanda Peet, she was also rather entertaining to watch. The director (James Mangol) makes sure that you never really get a chance to relax, he makes sure something is happening the entire movie, that is in my opinion what truly keeps your entertained.
The ending is definitely a weird one but if you keep on paying attention then it will make sense if you truly think about it. A lot of people were complaining about the ending but I liked it, something new and refreshing. I can truly recommend this movie and suggest that you pick it up if you get a chance.
on April 8, 2004
One of the characters in this horrid film actually has the temerity to compare what is happening to them to Ms. Christie's classic, Ten Little Indians! This movie is confusing, unbelievable and trite. Let me see if I can dispense this film, obviously launched to acquire money from the less discerning in our population,in a paragraph or so. The first 100 minutes of the film you can skip. It transpires that all the mayhem, and blood-letting, unconvincing, at the hotel really didnt happen! It was all imagined by this chap about to be executed for multiple murders.H e convinces those taking him o the xecution area, as well as the legal and psychiatric authorities, that he is no longer a danger since now he oly imagines bad things. Maybe he didnt take his medication that day, but on the way to the prison for the criminally insane he murders everyone in the car, and shortly thereafterwards sends one of his manifest identities, a young boy, to strangle an attractive girl her Florida garden. Apparently, the screenweriter was not satisfied with imaginary characters buried in the synopses of the psychotic killer, but with a Stephen King-like enthusiasm, made it possible for the killer to created these personalities in flesh and blood. I don't think this is clininically possible, and I have poured over the DSM -I-IV, of the AMA.If there were such an entity, it would certainly be a challenge to treat.
Since all that happened at the hotel was imaginary, I don't feel that I should have to describe that action. I will say this, altough I'm sure such a nuance point was not in the mind of the director or screenwriter, he lack of plot, craziness, inconsistencies, symbol objects such as a key,the curious amount of rain in Nevada, killings, does point to the imaginary ramblings of psychotic killer.
I'm going back to Hitchcock; I've had enough of this. The lst thriller I viewed that was realistic was Sea of Love. If you have not seen this get it, anvailable trough amazon.
One final irritation. This movie had many opportunities for laugh-out loud wicecracks and jokes. Try turning this movie down and providing your own dialogue. It will be hilarious!
on March 16, 2004
I find most of the reviews here genuine and I respect others opinions. I don't agree with that particular reviewer ( about a page back ) who claim others who do not like this movie aren't " intelligent enough " to understand it. People have their own minds and opinions. No one has the right to belittle someone because they don't like a film. I paid attention to all the reviews and found each one helpful ( except the one I mentioned above ). Intelligence is the least of it. People can hate a film like this and it does not mean they can't understand it. You dislike a film because you DO understand it. Identity was a waste of time for me. I love John Cusack but I found the film boring and slow. I could tell what was going to happen the minute I began watching. The plot is very predictable but to each's own. My review comes from the heart. I respect people who liked the film and who didn't as long as it was an honest and fair review. Give the film a try if you haven't seen it. You may like it. Some do, some didn't. But don't knock someone else's intelligence just because they don't agree with your taste. That's why the world is different.
on March 7, 2004
What goes on inside the mind of a madman? What goes on inside the mind of a homocidal madman? What goes on inside the mind of a homocidal madman who suffers from delusions and multiple-personality syndrome? If you are curious as to what any of these answers might be, this movie may be for you.
This is the most well-acted film I have seen in quite awhile. It has two top-shelf male actors in John Cusack and Ray Liotta and the dynamic they create is splendid to watch. The lovely and talented Amanda Peet rounds out the big names in the flick.
I can figure out a lot of thrillers right off the bat. This one, however, really kept me guessing. You think you know what's going on, but you really don't. It's told in a bit of a TWILIGHT ZONEesqe style where Rod Serling seems to be hiding behind every corner.
For fans of the thriller / mystery genre, you won't find a better one than this. It comes in two forms (options on the DVD): theatrical release & expansion edition. I would recommend the latter as I don't like it when Hollywood cuts out scenes just for the sake of brevity.
If you ever wanted to see an Alfred Hitchcock meets Sigmund Freud movie, here is your chance. Carl Gustav Jung would have loved this film!
on March 6, 2004
The movie is off to a brilliant start. A serial killer is being given a last minute review of his death sentence (insanity plea) even as 10 people find themselves in a motel where they are being killed one by one. The psychiatrist is arguing the serial killers case. Meanwhile, the people in the motel discover that people are being killed according to their motel room numbers. They are all very different, a soap opera star, a chauffeur, a call girl, a cop, but they all have one thing in common. They were all born on the 10th of may. Who is killing them? One of them? The spirits of Ancient Indians on whose burial ground the hotel is built? The serial killer? Are these people seemingly normal people, or is there something more to them.
If you are a psychological thriller fan, the ending won't surprise you. Afterall, the premise is one of the most popular in this genre of film. However, it has never been protrayed as interestingly. I heard gasps in the theatre as the `truth' was revealed. It won't make you scream, or startle but the plot is very well crafted. It takes very creative writing to make a suspenseful film based on such a done to death premise. Watch it and prepare to be misled.
on March 4, 2004
This is one of the best thrillers/whodunits I have ever seen. Even after I thought I knew what was going on, it still stuck it to me in the end.
It was very scary, but not because of the normal slasher movie cliches, but because I had no idea what was going to happen next. The story is pretty much an updated version of Ten little indians, which is a wonderful whodunit in itself.
All of the acting is wonderful. There is humor just when you need it, but it does not stay around for long.
The story follows 11 people as they are thrust into each others lives with out knowing why. One by one they are murdered and at each murder a room key is left starting with room 10 and going down to 1. So it is up to them to first find out who is killing them, second why and third what do they all have in common. The movie cuts back and forth between the motel where the murders are taking place and a courthouse where there is a midnight meeting going on about what is going to happen to a convicted killer.
The pace is pretty quick and there is not much downtime. Once you think you have figured it out a screwdriver is thrown into the spokes of your wheel and you are left right back at the beginning to start over.
This is a must see for all thriller/scary movie fans. Just give in and let it take you for a ride. You will not be sorry.
on February 13, 2004
Identity is one of those movies that pisses me off. All of the reviews for the film claimed it was good but what I got was a knock off of other films. This plot has been overdone and has been done better by other writers and directors. Half of the cast was boring. The characters were one-sided. This film was dumbed down and nothing smart at all. If you want to see a smart film done better, than watch some of the older films from the 60's which originated this tired plot. When it comes to Identity the ending cannot be ruined because it's nothing original. I suppose this is interesting if you haven't been around more than two years. If you have, you've seen this film done better 1,000 times. People who think this plot was original must not read books at all because I can name twelve books alone that have done this and BETTER. And though everyone has their opinion, I can't see how this movie is getting 4 and 5 star reviews. Come on folks! With such a good cast this movie was pitiful. I recommend anything with Cusack but this. This was strictly pathetic. This movie was about as original as a Godzilla remake.
on February 12, 2004
The big problem with reviews of "Identity" is that some people seem to want to blithely give away the big twist in the movie, which partially spoils it for viewers. After all, figuring out why all of these people are stuck at a rained-in motel in the middle of nowhere, and who is killing them and why, is the main focus of the film.
Much like "The Sixth Sense" - with which it shares high production values and a desire to be more than just a thriller - once the audience has determined the twist - which some audience members may do as soon as the opening credits, or even from the trailer - the film loses a lot of its tension and has to be carried by the strength of its execution.
In the case of "Identity," this means watching a relatively strong cast acting out somewhat underwritten parts, but for the most part, they ably rise to the challenge. John Cusack does an excellent job as always, although this part is both more serious and darker than his usual fare. More interestingly, Amanda Peet gets the chance to stretch her wings, never having had an opportunity to play more than just an object of desire in a motion picture, and she does extremely well, showing that she's capable of much more with future parts.
Recommended to fans of "The Sixth Sense" and other smarter thrillers.