Top positive review
One person found this helpful
on April 19, 2000
TOKYO DRIFTER has the charm of the arty movies of the sixties and, sometimes, is terribly modern in the Quarantinesque sense of the term. Overall, it offers a good cocktail ! Furthermore, it has the charm inherent to japanese movies : the characters speak during ten seconds and you have to deal with a subtitle containing four words. At least, it develops your imagination...
TOKYO DRIFTER's prolog is shot in a black & white saturated to the maximum ; faces are black, the water and the sky white and you hardly will find a grey tone. The contrast with the colours appearing after the initial generic is explosive. Welcome to Tokyo by night with his bars and night-clubs whose shadows are pink and orange. It's BLOW UP in Japan and let's admit that it's very refreshing.
Some action scenes, the final duel for instance, are very " spaghetti westerns " like and other scenes could have been shot by a Quentin Tarantino, a Samuel Raimi or a Robert Rodriguez. Imagine a duel happening on a railroad while a train is approaching ! Great and intense moment!
Sound and audio OK for me. An interesting interview with director Suzuki as bonus feature.
A DVD for the curious ones.